Robinson Jeffers's poetry has always taught that men and women "shine" through their endurance, through their acts of courage, and through their appreciation for the transcendent beauty of the natural
In this book, Sarah Rolfe Prodan examines the spiritual poetry of Michelangelo in light of three contexts: the Catholic Reformation movement, Renaissance Augustinianism, and the tradition of Italian religious devotion. Prodan combines a literary, historical, and biographical approach to analyze the mystical constructs and conceits in Michelangelo's poems, thereby deepening our understanding of the artist's spiritual life in the context of Catholic Reform in the mid-sixteenth century. Prodan also demonstrates how Michelangelo's poetry is part of an Augustinian tradition that emphasizes mystical and moral evolution of the self. Examining such elements of early modern devotion as prayer, lauda singing, and the contemplation of religious images, Prodan provides a unique perspective on the subtleties of Michelangelo's approach to life and to art. Throughout, Prodan argues that Michelangelo's art can be more deeply understood when considered together with his poetry, which points to a spirit
In this book, Sarah Rolfe Prodan examines the spiritual poetry of Michelangelo in light of three contexts: the Catholic Reformation movement, Renaissance Augustinianism, and the tradition of Italian religious devotion. Prodan combines a literary, historical, and biographical approach to analyze the mystical constructs and conceits in Michelangelo's poems, thereby deepening our understanding of the artist's spiritual life in the context of Catholic Reform in the mid-sixteenth century. Prodan also demonstrates how Michelangelo's poetry is part of an Augustinian tradition that emphasizes mystical and moral evolution of the self. Examining such elements of early modern devotion as prayer, lauda singing, and the contemplation of religious images, Prodan provides a unique perspective on the subtleties of Michelangelo's approach to life and to art. Throughout, Prodan argues that Michelangelo's art can be more deeply understood when considered together with his poetry, which points to a spirit
Andrew Marvell was born in 1621 and lived through the English Civil War, and the restoration of the monarchy. He was politically active in Parliament and international diplomacy to varying degrees during his lifetime, but is best known for his verse. Marvell's poetry has been more appreciated since his death in 1677, with increased favourable comparisons with contemporaries such as Doone. The political upheavals that Marvell lived through undoubtedly shaped his work and the subtleties of his literature are explored in this critique in reference to his conjectured and documented political activity at the time of writing. Analysis of Marvell's prose is explored to 'illuminate the development of the English language during one of its most crucial periods'. In this book, originally published in 1940, Marvell's literature is analysed in a chronological order by Bradbook and Lloyd Thomas, giving a comprehensive biography of this influential writer and his work.