Most known for his creative fictions that tackle literary questions of authorship as well as more philosophical notions such as multiverse theory, Argentine author Jorge Luis Borges (1899-1986) has captivated scholars from a variety of disciplines since his emergence on the international scene. However, much of the scholarship surrounding Borges does not focus on the reception of Borges's works in the fields of philosophy, the visual arts, film, political science, media theory, mathematics, and law, nor do it consider how his affiliations and interests changed over the course of his long life. In The Oxford Handbook of Jorge Luis Borges, editors Daniel Balderston and Nora Benedict, along with a team of international scholars, contextualize Jorge Luis Borges's work for a new generation of twenty-first-century readers and critics. This volume shifts the emphasis to Borges's working life, his writing processes, his collaborations and networks, and the political and cultural background of
From the international phenomenon Karl Ove Knausgaard, the extraordinary final volume of 'the most significant literary enterprise of our times' (Guardian)In this final novel in the My Struggle cycle, Karl Ove Knausgaard examines life, death, love and literature with unsparing rigour and begins to count the cost of his project. The End reflects on the fallout from the earlier books, with Knausgaard facing the pressures of literary acclaim and its often shattering repercussions. It is at once a meditation on writing and its relationship with reality, and an account of a writer's relationship with himself - from his ambitions to his doubts and frailties.'Epic... It creates a world that absorbs you utterly' Sunday Times'Compulsively addictive' Daily Telegraph'My Struggle has strong claim to be the great literary event of the twenty-first century' Guardian'A mesmerising, thought-provoking and genuinely important work of art' Spectator
Representing the best of international life writing scholarship, this collection reveals extraordinary stories of remarkable lives. These wide-ranging accounts span the Americas, Britain, Europe, Asia
The last ten years have witnessed an enormous growth in American interest in Asia and Asian/American history. In particular, a set of key Asian historical moments have recently become the subject of i
For courses in international economics. Introduces international economics through accessible writing and real-life applications A principles-¿level introduction that’s accessible to readers of al
William Goyen was a writer of startling originality and deep artistic commitment whose work attracted an international audience and the praise of such luminaries as Northrop Frye, Truman Capote, Gasto
An all-new, jewel-like, reader-friendly format gives new life to this relaunch of an international best-seller.Leonardo da Vinci—artist, inventor, and prototypical Renaissance man—is a perennial sourc
From Frederick Forsyth, the grand master of international suspense, comes his most intriguing story ever—his own.For more than forty years, Frederick Forsyth has been writing extraordinary real-world
From the grand master of international suspense comes his most intriguing story ever—his own. For more than forty years, Frederick Forsyth has been writing extraordinary real-world novels of intr
From Frederick Forsyth, the grand master of international suspense, comes his most intriguing story ever—his own.For more than forty years, Frederick Forsyth has been writing extraordinary real-world
Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.
Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.
This was the first full-length biography in ninety years of Reginald Pole (1500–1558), one of the most important international figures of the sixteenth century, and the first ever to give equal attention to all phases of his career. It was based on painstaking and extensive archival research, above all in Italy and among the archives of the Inquisition. Pole spent much of his life writing, especially about himself. This book attempted to expose the tension between the 'life as lived' and the 'life as written' in order to see Pole whole rather than as a plaster saint - or devil. Pole's career is followed as protégé and then harshest critic of Henry VIII, as cardinal and papal diplomat, legate of Viterbo, a nearly successful candidate for pope, and finally as legate to England, archbishop of Canterbury, architect of the English Counter-Reformation, and victim of both pope Paul IV and of himself.
What was life really like in England in the later Middle Ages? This comprehensive introduction explores the full breadth of English life and society in the period 1200-1500. Opening with a survey of historiographical and demographic debates, the book then explores the central themes of later medieval society, including the social hierarchy, life in towns and the countryside, religious belief, and forms of individual and collective identity. Clustered around these themes a series of authoritative essays develop our understanding of other important social and cultural features of the period, including the experience of war, work, law and order, youth and old age, ritual, travel and transport, and the development of writing and reading. Written in an accessible and engaging manner by an international team of leading scholars, this book is indispensable both as an introduction for students and as a resource for specialists.
What was life really like in England in the later Middle Ages? This comprehensive introduction explores the full breadth of English life and society in the period 1200-1500. Opening with a survey of historiographical and demographic debates, the book then explores the central themes of later medieval society, including the social hierarchy, life in towns and the countryside, religious belief, and forms of individual and collective identity. Clustered around these themes a series of authoritative essays develop our understanding of other important social and cultural features of the period, including the experience of war, work, law and order, youth and old age, ritual, travel and transport, and the development of writing and reading. Written in an accessible and engaging manner by an international team of leading scholars, this book is indispensable both as an introduction for students and as a resource for specialists.
The Cambridge Companion to Narrative provides a unique and valuable overview of current approaches to narrative study. An international team of experts explores ideas of storytelling and methods of narrative analysis as they have emerged across diverse traditions of inquiry and in connection with a variety of media, from film and television, to storytelling in the 'real-life' contexts of face-to-face interaction, to literary fiction. Each chapter presents a survey of scholarly approaches to topics such as character, dialogue, genre or language, shows how those approaches can be brought to bear on a relatively well-known illustrative example, and indicates directions for further research. Featuring a chapter reviewing definitions of narrative, a glossary of key terms and a comprehensive index, this is an essential resource for both students and scholars in many fields, including language and literature, composition and rhetoric, creative writing, jurisprudence, communication and media s
Ted Hughes is unquestionably one of the major twentieth-century English poets. Radical and challenging, each new title produced something of a shock to British literary culture. Only now is the breadth of his literary range and cultural influence being recognised. As well as his poetry and stories, writing for children, translations and prose essays and reviews, in recent years Hughes's own letters have received great critical attention. This Companion consolidates Hughes's life, writings and reputation. International experts from a variety of literary fields here confront the key questions posed by Hughes's work. New archival evidence is provided for fresh readings of his oeuvre with close attention to language, forms and the function of myth. Featuring a chronology and guide to further reading, this book is a valuable and insightful companion for those studying and reading Hughes in the context of his role in the development of modern poetry.
This was the first full-length biography in ninety years of Reginald Pole (1500–1558), one of the most important international figures of the sixteenth century, and the first ever to give equal attention to all phases of his career. It was based on painstaking and extensive archival research, above all in Italy and among the archives of the Inquisition. Pole spent much of his life writing, especially about himself. This book attempted to expose the tension between the 'life as lived' and the 'life as written' in order to see Pole whole rather than as a plaster saint - or devil. Pole's career is followed as protégé and then harshest critic of Henry VIII, as cardinal and papal diplomat, legate of Viterbo, a nearly successful candidate for pope, and finally as legate to England, archbishop of Canterbury, architect of the English Counter-Reformation, and victim of both pope Paul IV and of himself.
From Aboriginal writing to Margaret Atwood, this is a complete English-language history of Canadian writing in English and French from its beginnings. The multi-authored volume pays special attention to works from the 1960s and after, to multicultural and indigenous writing, popular literature, and the interaction of anglophone and francophone cultures throughout Canadian history. Established genres such as fiction, drama and poetry are discussed alongside forms of writing which have traditionally received less attention, such as the essay, nature-writing, life-writing, journalism, and comics, and also writing in which the conventional separation between genres has broken down, such as the poetic novel. Written by an international team of distinguished scholars, the volume includes a separate, substantial section discussing major genres in French, as well as a detailed chronology of historical and literary/cultural events, and an extensive bibliography covering criticism in English and
