E. B. White Read-Aloud winner Mac Barnett celebrates individuality in a story told with tenderness and subtlety.It’s John’s big day at school today – a performance for Sharing Gifts time. His bag is carefully packed and prepared, his classmates are ready, and the curtain is waiting to open. John is nervous, looking out at all the other children staring back at him. But he takes a big breath and begins. Mac Barnett’s compassionate text and Kate Berube’s expressive art tell the story of a child who finds the courage to show others his talent for dancing.
E. B. White Read-Aloud winner Mac Barnett celebrates individuality in a story told with tenderness and subtlety.It’s John’s big day at school today – a performance for Sharing Gifts time. His bag is carefully packed and prepared, his classmates are ready, and the curtain is waiting to open. John is nervous, looking out at all the other children staring back at him. But he takes a big breath and begins. Mac Barnett’s compassionate text and Kate Berube’s understated and expressive art tell the story of a kid who finds the courage to show others his talent for dancing.
E. B. White Read-Aloud winner Mac Barnett celebrates individuality in a story told with tenderness and subtlety.It’s John’s big day at school today―a performance for Sharing Gifts time. His bag is carefully packed and prepared, his classmates are ready, and the curtain is waiting to open. John is nervous, looking out at all the other children staring back at him. But he takes a big breath and begins. Mac Barnett’s compassionate text and Kate Berube’s understated and expressive art tell the story of a kid who finds the courage to show others his talent for dancing.
Weighing in at over 400 pages, Uncle John’s Bathroom Reader Attack of the Factoids is a fact-a-palooza of obscure information. Like what, you ask?Well, did you know that bats always turn left when the
In why political Liberatism? Paul Weithman offers a fresh, sigorous and compelling interpretation of john Rawis's reasons for taking his sa-called "political turn," Weithman takes Rawls at his word th
In Why Political Liberalism? Paul Weithman offers a fresh, rigorous, and compelling interpretation of John Rawls's reasons for taking his so-called "political turn." Weithman takes Rawls at his word that justice as fairness was recast as a form of political liberalism because of an inconsistency Rawls found in his early treatment of social stability. He argues that the inconsistency is best seen by identifying the threats to stability with which the early Rawls was concerned. One of those threats, often overlooked by Rawls's readers, is the threat that the justice of a well-ordered society would be undermined by a generalized prisoner's dilemma. Showing how the Rawls of "A Theory of Justice" tried to avert that threat shows that the much-neglected third part of that book is of considerably greater philosophical interest, and has considerably more unity of focus, than is generally appreciated. Weithman painstakingly reconstructs Rawls's attempts to show that a just society would be stab
From his early love poetry to his late religious writing, John Donne speaks of the human body as a book to be read and interpreted. Unlike modern thinkers who understand the body as a purely material
Have you ever seen a John Deere tractor? John Deere's farm equipment brand is famous around the world, but it wasn't an easy path to turn his ideas into reality. Readers will love learning the story b
Knowing that the apocalypse is looming on the horizon and threatening to destroy everything, John Constantine is forced to turn to Nergal, one of his fiercest foes, for help.
"John Constantine has stumbled into some hellish predicaments in his day. But now London's chain-smoking, hard-living street mage has fallen into something that will turn his life upside down like nev
John P. Parker is one of the few African Americans whose battle against slavery we can now turn to in his own words. He recounts dramatically how he helped fugitive slaves to cross the Ohio River fro
This volume on John's Gospel is one of the series of commentaries on the New English Bible which is designed for use in schools and colleges, and for the minister and the layman. Each volume comments on one book, or a few short books, of the Bible, and in each the text is given in full. Sections of text and commentary alternate, so that the reader does not have to keep two books open, or turn from one part of the book to the other, or refer to a commentary in small type at the foot of the page. Great care has been taken to see that the commentary is suitable for the student and the layman: there is no Greek or Hebrew, and no strings of biblical references, but the commentary does convey the latest and best scholarship. The general editors all have experience of teaching or examining in school and working with adults. In addition to the general introductory volume, Understanding the New Testament, there is a volume of maps and plates, New Testament Illustrations.
This series of commentaries on the New English Bible is designed for use in schools and colleges, and for the minister and the layman. Each volume comments on one book, or part, of the Bible. In each the text is given in full. Sections of text and commentary alternate, so that the reader does not have to keep two books open, or turn from one part of the book to the other, or refer to a commentary in small type at the foot of the page. Great care has been taken to see that the commentary is suitable for the student and the layman: there is no Greek or Hebrew, and no strings of biblical references. The general editors all have experience of teaching or examining in school and working with adults. Commentaries on all the books of the Old Testament, New Testament and Apocrypha have been published, together with introductory volumes and books of illustrations to accompany each Testament.
Celebrating the 400th anniversary of John Marston's debut as a professional playwright, this collection of critical essays on his work by leading scholars in the early modern field discovers, in the de-centred, hilarious, but unsettling work of this idiosyncratic Renaissance dramatist, an uncannily post-modern voice. Always at odds with his contemporaries, the censor and sometimes his own audience, Marston is shown to be a deeply conflicted figure but the qualities which estranged him from previous critical eras are precisely those that are now instantly accessible. This volume's essays, the themes of which coincide both in contemporary currents in literary theory and criticism and in the plays of John Marston, reveal at every turn the full extent of his ambiguity towards politics, gender and the very medium he wrote for and in.
Among the many gifted African American authors who emerged in the 1970s and 80s, John Edgar Wideman is one of the most challenging and innovative. His analytical mind can turn almost any topic into an
