Pity represents a combination of fear, helplessness and overwhelming agitation. It is a term which suffuses our everyday lives; it is also a dangerous term hovering between approval of sympathy and di
Ancient Athenians resemble modern Americans in their moral discomfort with empire. Athenians had power and used it ruthlessly, but the infliction of suffering did not mesh well with their civic self-image. Embracing the concepts of democracy and freedom, they proudly pitted themselves against tyranny and oppression, but in practice they were capable of being tyrannical. Pity and Power in Ancient Athens argues that the exercise of power in democratic Athens, especially during its brief fifth-century empire, raised troubling questions about the alleviation and infliction of suffering, and pity emerged as a topic in Athenian culture at this time. The ten essays collectively examine the role of pity in the literature, art, and society of classical Athens by analysing evidence from tragedy, philosophy, historiography, epic, oratory, vase painting, sculpture, and medical writings.
Ancient Athenians resemble modern Americans in their moral discomfort with empire. Athenians had power and used it ruthlessly, but the infliction of suffering did not mesh well with their civic self-image. Embracing the concepts of democracy and freedom, they proudly pitted themselves against tyranny and oppression, but in practice they were capable of being tyrannical. Pity and Power in Ancient Athens argues that the exercise of power in democratic Athens, especially during its brief fifth-century empire, raised troubling questions about the alleviation and infliction of suffering, and pity emerged as a topic in Athenian culture at this time. The ten essays collectively examine the role of pity in the literature, art, and society of classical Athens by analysing evidence from tragedy, philosophy, historiography, epic, oratory, vase painting, sculpture, and medical writings.
The art and craft of writing by one of the few grandmasters of American literature, a bonanza for writers and readers written by Kurt Vonnegut's former student.Here is an entirely new side of Kurt Von
Literature provides us with otherwise unavailable insights into the ways emotions are produced, experienced and enacted in human social life. It is particularly valuable because it deepens our comprehension of the mutual relations between emotional response and ethical judgment. These are the central claims of Hogan's study, which carefully examines a range of highly esteemed literary works in the context of current neurobiological, psychological, sociological and other empirical research. In this work, he explains the value of literary study for a cognitive science of emotion and outlines the emotional organization of the human mind. He explores the emotions of romantic love, grief, mirth, guilt, shame, jealousy, attachment, compassion and pity - in each case drawing on one work by Shakespeare and one or more works by writers from different historical periods or different cultural backgrounds, such as the eleventh-century Chinese poet Li Ch'ing-Chao and the contemporary Nigerian playw
Literature provides us with otherwise unavailable insights into the ways emotions are produced, experienced and enacted in human social life. It is particularly valuable because it deepens our comprehension of the mutual relations between emotional response and ethical judgment. These are the central claims of Hogan's study, which carefully examines a range of highly esteemed literary works in the context of current neurobiological, psychological, sociological and other empirical research. In this work, he explains the value of literary study for a cognitive science of emotion and outlines the emotional organization of the human mind. He explores the emotions of romantic love, grief, mirth, guilt, shame, jealousy, attachment, compassion and pity - in each case drawing on one work by Shakespeare and one or more works by writers from different historical periods or different cultural backgrounds, such as the eleventh-century Chinese poet Li Ch'ing-Chao and the contemporary Nigerian playw
The image of the 'fallen woman' was a common one in Elizabethan literature. This 1990 study, translated from the original German by the author, deals with an unconventional aspect of the motif; the genre of 'complaint' in which writers enabled women to put their own case, bewailing their fate, invoking pity, and stressing private rather than public virtues. The book begins with a group of Elizabethan poems in which women lament their unfortunate lives. It goes on to deal with a range of works, tracing the complaint from classical models such as Ovid's Heroical Epistles to Chaucer's Legend of Good Women and Shakespeare's Lucrece. However, Dr Schmitz shows that the mode is not confined to historical tales, nor to the early or early modern periods. In Elizabethan times it occurs in novellas and meditations and can be seen as the inspiration for eighteenth-century Roxanas and the nineteenth-century Magdalen.
Stories about Jewesses proliferated in nineteenth-century Britain as debates about the place of the Jews in the nation raged. While previous scholarship has explored the prevalence of antisemitic stereotypes in this period, Nadia Valman argues that the figure of the Jewess - virtuous, appealing and sacrificial - reveals how hostility towards Jews was accompanied by pity, identification and desire. Reading a range of texts from popular romance to the realist novel, she investigates how the complex figure of the Jewess brought the instabilities of nineteenth-century religious, racial and national identity into uniquely sharp focus. Tracing the narrative of the Jewess from its beginnings in Romantic and Evangelical literature, and reading canonical writers including Walter Scott, George Eliot and Anthony Trollope alongside more minor figures such as Charlotte Elizabeth Tonna, Grace Aguilar and Amy Levy, Valman demonstrates the remarkable persistence of this narrative and its myriad transf
