A mysterious and deadly plague suddenly appears among the inhabitants of an unnamed city. Shunned by family and friends, some of the afflicted have nowhere to finish out their days until a lone hair
In three separate autobiographies, celebrated Mexican innovator Mario Bellatin recounts his childhood trauma as a bathhouse spectacle, the treatment of an illness suffered by his Sufi spiritual mentor
The latest work in English by renowned Peruvian-Mexican cult writer Mario Bellatin, a short, allegorical novel that questions truth, art, language, and the split between East and West.From the groundb
Conceived of as a set of fragmentary manuscripts from an unpublished Joseph Roth novel,Jacob the Mutant is a novella in a perpetual state of transformation a story about a man named Jacob, an ersatz r
Peter Hugo is one of the most gifted and greatest photo-book maker of South Africa. "La Cucaracha" is the final stop after 2 years visiting Mexico in what Hugo consideres to be his greats work since "
Through a comparative analysis of the novels of Roberto Bolaño and the fictional work of César Aira, Mario Bellatin, Diamela Eltit, Chico Buarque, Alberto Fuguet, and Fernando Vallejo, among other leading authors, Héctor Hoyos defines and explores new trends in how we read and write in a globalized era. Calling attention to fresh innovations in form, voice, perspective, and representation, he also affirms the lead role of Latin American authors in reshaping world literature. Focusing on post-1989 Latin American novels and their representation of globalization, Hoyos considers the narrative techniques and aesthetic choices Latin American authors make to assimilate the conflicting forces at work in our increasingly interconnected world. Challenging the assumption that globalization leads to cultural homogenization, he identifies the rich textual strategies that estrange and re-mediate power relations both within literary canons and across global cultural hegemonies. Hoyos shines a light
Through a comparative analysis of the novels of Roberto Bolano and the fictional work of Cesar Aira, Mario Bellatin, Diamela Eltit, Chico Buarque, Alberto Fuguet, and Fernando Vallejo, among other con