Musical Echoes tells the life story of the South African jazz vocalist Sathima Bea Benjamin. Born in Cape Town in the 1930s, Benjamin came to know American jazz and popular music through the radio, mo
Musical Echoes tells the life story of the South African jazz vocalist Sathima Bea Benjamin. Born in Cape Town in the 1930s, Benjamin came to know American jazz and popular music through the radio, mo
With chapters on The Sound of Music, Milk and Honey, Fiddler on the Roof, Cabaret, The Rothschilds, Rags, Ragtime and The Producers, this book examines both direct and indirect references to, or reson
The musical material for Canyon Echoes was inspired after a trip to the Grand Canyon. The open voicings of quartal harmonies reflect the canyon's vast expanse. This work is fun to perform and enjoyabl
Based on extensive fieldwork and documentary research in China, this book is a chronicle of the musical history of Lijiang County in China's southern Yunnan Province. It focuses on Dongjing music, a
Positioned on a major trade route, the Toba Batak people of Sumatra have long witnessed the ebb and flow of cultural influence from India, the Middle East, and the West. Living as ethnic and religious
This is a musical journey following a young family escaping invasion by another nation. Leaving everything behind, they must flee from their beloved homeland to a new place and a new beginning. They e
First Nations, Inuit, and Metis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Co
The Vermeer String Quartet is well known throughout the world for its performances of Franz Joseph Haydn's The Seven Last Words of Christ , in which the seven musical movements of the piece are inter
Creaking glaciers, whispering galleries, stalactite organs, musical roads, squeaking beaches, groaning waterwheels, frogs that croak in Mexican waves, Mayan pyramids that produce echoes that chirp lik
(Piano Collection). The piano pieces in this volume are rooted in the romantic "salon" tradition prevalent in Mexico City's musical life in the early 20th Century. Echoes of Bach, Beethoven,
In this study, first published in 1983, Professor Smith makes the argument that althoughThe Waste Land is analogous in form to a musical composition that it is actually made of its literary echoes. He