“This publication assembling the practices and discourses of ‘Asian contemporary performance’ is assuredly a statement of ‘the world we have made’ for the now and the future, as well as a means of connecting TPAC and other ‘worlds.’ ”-Ruo-Yu LIU, Chairwoman of Taipei Performing Arts Center“While it is now hardly unusual to find choreographers working in an exhibition setting, or visual artists performing on a stage, it is still rare to see practitioners from the different fields working together, as can be found at ADAM.”-John Tain, Head of Research at Asia Art Archive“With various understandings from multiple disciplines, life journeys and international practices, this publication is neither a collected manifesto, nor an imprint of harmony and integration. On the contrary, it is the very embodiment of incarnations and trajectories of the world history and the network of contemporary corporeality.”-Chun-Yen WANG, Art Critic“The anthology sheds light on contemporary, situated approaches
Daily life is connected life, its rhythms driven by endless email pings andresponses, the chimes and beeps of continually arriving text messages, tweets and retweets, Facebookupdates, pictures and vid
When Social Media and the Semantic Web became popular a few years ago it was a simple co-existence between the two, but in the meantime they have increasingly melted making it impossible to think of k
Since the 1990s, the knowledge, culture, and entertainment industries have found themselves experimenting, not altogether voluntarily, with communicating complex information across multiple media plat