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These 16 powerful renderings depict scenes from many of the Bible's most famous stories. They include images of Adam and Eve, Noah's Ark, Moses and the Ten Commandments, Samson and Delilah, David and

Full of humanity and even humour, the Old Testament paintings by master visual storyteller Jan Steen are often treated like incidents in 17th-century Holland. This groundbreaking examination considers

This is the illustrations volume which accompanies the Old Testament series of the Cambridge Bible Commentary. It is arranged on the same general plan as Mr Jones's successful companion volume on the New Testament. It contains 201 photographs, maps and drawings arranged in groups with a connected commentary which describes each picture in detail, explaining its significance. The whole collection provides a background study of the Old Testament lands and peoples. The sections deal with the geographical setting, the archaeology of the region, the periods of Old Testament history from the earliest times to the Hellenistic period, the social background, the Old Testament books as literary productions, the background of Jewish religious life. Maps are skilfully simplified to give only the information relevant to understanding the Old Testament itself The diagrams explain technical subjects. The photographs, of scenes, buildings and works of art, and the continuing tradition of Jewish religi

Ready-to-color scenes include Adam and Eve in Eden, Cain murdering Abel, Lot fleeing the destruction of Sodom, Joseph being sold into slavery, Moses parting the Red Sea, Delilah cutting Samson's hair,

Brendan Powell Smith has spent the last decade creating nearly 5,000 scenes from the bible—with Legos. His wonderfully original sets are featured on his website, Bricktestament.com, but for the first

A team of world-class scholars covers the full range of Old Testament backgrounds studies in a concise, authoritative, and comprehensive manner.

This splendid collection of engravings by one of the most brilliant painters, engravers, and draftsmen of the 19th century includes scores of familiar scenes ? from the creation of the world and the f

An examination of the presence of theophanic scenes in the final form of the Pentateuch, which argues that rather than there being a single, over-arching theophanic “type-scene” there are multiple suc

In 1452, Florentine sculptor Lorenzo Ghiberti unveiled a masterpiece that had been a quarter-century in the making: ten bronze panels depicting intricate scenes from the Old Testament. The monumental

The Odyssey's larger plot is composed of a number of distinct genres of myth, all of which are extant in various Near Eastern cultures (Mesopotamian, West Semitic, and Egyptian). Unexpectedly, the Near Eastern culture with which the Odyssey has the most parallels is the Old Testament. Consideration of how much of the Odyssey focuses on non-heroic episodes - hosts receiving guests, a king disguised as a beggar, recognition scenes between long-separated family members - reaffirms the Odyssey's parallels with the Bible. In particular the book argues that the Odyssey is in a dialogic relationship with Genesis, which features the same three types of myth that comprise the majority of the Odyssey: theoxeny, romance (Joseph in Egypt), and Argonautic myth (Jacob winning Rachel from Laban). The Odyssey also offers intriguing parallels to the Book of Jonah, and Odysseus' treatment by the suitors offers close parallels to the Gospels' depiction of Christ in Jerusalem.

Bible Stories Painting Book 1 and Bible Stories Painting Book 2 are two fantastic painting books that are easy to use with no mess involved! Each book has sixteen scenes from the Old and New Testament

The Odyssey's larger plot is composed of a number of distinct genres of myth, all of which are extant in various Near Eastern cultures (Mesopotamian, West Semitic, and Egyptian). Unexpectedly, the Near Eastern culture with which the Odyssey has the most parallels is the Old Testament. Consideration of how much of the Odyssey focuses on non-heroic episodes - hosts receiving guests, a king disguised as a beggar, recognition scenes between long-separated family members - reaffirms the Odyssey's parallels with the Bible. In particular the book argues that the Odyssey is in a dialogic relationship with Genesis, which features the same three types of myth that comprise the majority of the Odyssey: theoxeny, romance (Joseph in Egypt), and Argonautic myth (Jacob winning Rachel from Laban). The Odyssey also offers intriguing parallels to the Book of Jonah, and Odysseus' treatment by the suitors offers close parallels to the Gospels' depiction of Christ in Jerusalem.

The Murthly Hours consists of two parts: a book of hours of the end of the thirteenth century preceded by twenty-three slightly earlier miniatures of Old and New Testament scenes surviving from anothe

This modestly priced edition offers an ideal introduction to Durer's work, comprising images both sacred and secular. Scenes from the lives of Jesus and the saints and episodes from the Old Testament