Examines a broad range of related cultural and technological phenomena, from Bing Crosby to the Internet, that have helped shape American popular culture over the past 150 years. Period discussed is f
Conjuring the Folk addresses the dynamic relation between metropolitan artistic culture and its popular referents during the Harlem Renaissance period. From Jean Toomer's conclusion that "the Negro of
Modernity in Black and White provides a groundbreaking account of modern art and modernism in Brazil. Departing from previous accounts, mostly restricted to the elite arenas of literature, fine art and architecture, the book situates cultural debates within the wider currents of Brazilian life. From the rise of the first favelas, in the 1890s and 1900s, to the creation of samba and modern carnival, over the 1910s and 1920s, and tracking the expansion of mass media and graphic design, into the 1930s and 1940s, it foregrounds aspects of urban popular culture that have been systematically overlooked. Against this backdrop, Cardoso provides a radical re-reading of Antropofagia and other modernist currents, locating them within a broader field of cultural modernization. Combining extensive research with close readings of a range of visual cultural production, the volume brings to light a vast archive of art and images, all but unknown outside Brazil.
In America is a kaleidoscopic portrait of America on the cusp of modernity. As she did in her enormously popular novel The Volcano Lover, Susan Sontag casts a story located in the past in a fresh, provocative light to create a fictional world full of contemporary resonance. In 1876 a group of Poles led by Maryna Zalezowska, Poland's greatest actress, emigrate to the United States and travel to California to found a "utopian commune." When the commune fails, Maryna stays, learns English, and—as Marina Zalenska—forges a new, even more triumphant career on the American stage, becoming a diva on par with Sara Bernhardt. In America is about many things: a woman's search for self-transformation; the fate of idealism; a life in the theater; the many varieties of love; and, not least of all, stories and storytelling itself. Operatic in the scope and intensity of the emotions it depicts, richly detailed and visionary in its account of America, and peopled with unforgettable characters.
This 1997 study explores one of the most dramatic current interactions between religion and politics: the development of progressive Catholicism in Latin America. In particular, it examines economic, social and religious obstacles to progressive theology in Brazil. This 'popular' church built a utopian vision of social emancipation, drawing on Catholic social thought, humanistic Marxism and existentialism. It was a major democratizing force as Brazil emerged from dictatorship in the late 1970s. In the 1980s, however, the popular appeal of progressive Catholicism came under threat. Focusing on a Catholic community near Rio de Janeiro, Manuel A. Vásquez's incisive study shows how economic and political changes have affected religious practices, and argues that the plight of progressive Catholicism in Brazil forms part of a wider crisis of modernity and of humanist discourses.
This 1997 study explores one of the most dramatic current interactions between religion and politics: the development of progressive Catholicism in Latin America. In particular, it examines economic, social and religious obstacles to progressive theology in Brazil. This 'popular' church built a utopian vision of social emancipation, drawing on Catholic social thought, humanistic Marxism and existentialism. It was a major democratizing force as Brazil emerged from dictatorship in the late 1970s. In the 1980s, however, the popular appeal of progressive Catholicism came under threat. Focusing on a Catholic community near Rio de Janeiro, Manuel A. Vásquez's incisive study shows how economic and political changes have affected religious practices, and argues that the plight of progressive Catholicism in Brazil forms part of a wider crisis of modernity and of humanist discourses.
Through a combination of nostalgia and new printing technologies, picture book publishing in America became a popular enterprise between the wars. Suspended Animation analyzes the phenomenon of Americ
Art deco flourished in cities and small towns throughout America during the 1920s and 1930s. Extremely popular as a statement of modernity and technological progress, art deco movie palaces, dime stor