reading backwards

這本書，寫給所有把戲劇搬上舞台臺的人：演員們、導演們、各種設計師們、技術人員們，以及劇作家們，也是為了那些單純享受閱讀劇本樂趣的人而寫。 凸顯出劇本不只是一種文學的表現形式，更是活生生的戲劇演出素材——有時候其中的結構特點甚至與樂譜相仿。文學和戲劇之間的差異其實非常巨大，一場演出的聲音、音樂、動作、視覺、整體氛圍等等更多元素都等著被從劇本的深處挖掘出來，那是沒有辦法經由嚴謹的文學手段，例

In Reading Backwards Richard B. Hays maps the shocking ways the four Gospel writers interpreted Israel's Scripture to craft their literary witnesses to the Church's one Christ. The Gospels' scriptura

In Benedict Backwards, Terrence Kardong builds the case that the Rule of Benedict is best read “backwards,” that is, with emphasis on the last chapters, not the first ones. Benedict starts

This guide to playreading for students and practitioners of both theater and literature complements, rather then contradicts or repeats, traditional methods of literary analysis of scripts.Ball devel

TWO GUYS -- FOREVER FRIENDS -- write their fifth TWO GUYS BOOK.Rather than reading and sharing their views on books or baseball scores, this time The TWO GUYS are traveling and sharing their adventure

Whether you're new to Austen's work or know it backwards and forwards already, this book provides a clear, full and highly engaging account of how Austen's fiction works and why it matters. Exploring new pathways into the study of Jane Austen's writing, novelist and academic Jenny Davidson looks at Austen's work through a writer's lens, addressing formal questions about narration, novel writing, and fictional composition as well as themes including social and women's history, morals and manners. Introducing new readers to the breadth and depth of Jane Austen's writing, and offering new insights to those more familiar with Austen's work, Jenny Davidson celebrates the art and skill of one of the most popular and influential writers in the history of English literature.

Whether you're new to Austen's work or know it backwards and forwards already, this book provides a clear, full and highly engaging account of how Austen's fiction works and why it matters. Exploring new pathways into the study of Jane Austen's writing, novelist and academic Jenny Davidson looks at Austen's work through a writer's lens, addressing formal questions about narration, novel writing, and fictional composition as well as themes including social and women's history, morals and manners. Introducing new readers to the breadth and depth of Jane Austen's writing, and offering new insights to those more familiar with Austen's work, Jenny Davidson celebrates the art and skill of one of the most popular and influential writers in the history of English literature.

Reading backwards so the New Testament is a window onto the Old, Shepherd (Louisiana College) traces the New Testament references to the twelve Old Testament prophets Hosea through Malachi, and shows

'Phantom limb pain' designates the sensations which seem to emanate from limbs that in reality are missing. The phrase was coined by the American Civil War surgeon, Weir Mitchell, in reference to his fictional amputee, George Dedlow. Contemporary neuroscience holds that the brain encloses a schema which covers the whole body, and asserts its unity even if certain parts are missing. Reading backwards from Dedlow's sufferings, Alastair Minnis traces the medieval precedents and parallels, focusing on Augustine and Dante, who subscribed to the notion of a 'body in the soul'. Dante's souls in purgatory self-prosthesize with aerial phantoms as they long for the full embodiment which only the resurrection can bring. Is a complete body necessary for personhood? And how can the gamut of human feelings be run if parts or the entirety of one's body does not exist? Combining medieval studies and contemporary neuroscience, this absorbing study explores the fascinating and surprising history of pha

The cycle of fugues is introduced and concluded by a Praeludium and Postludium, the second formed by turning the Praeludium upside down and reading it backwards. In solving technical problems he posed

SchottThe cycle of fugues is introduced and concluded by a Praeludium and Postludium, the second formed by turning the Praeludium upside down and reading it backwards. In solving technical problems he

This book is an original reading of the Summa of Theology of Thomas Aquinas. It reads the main parts of the Summa backwards, starting from the conclusion, to discover Thomas's purpose: the unification

This book is an original reading of the Summa of Theology of Thomas Aquinas. It reads the main parts of the Summa backwards, starting from the conclusion, to discover Thomas's purpose: the unification

Despite novel approaches to the study of Early Christianity – New Historicity, New Philology, Gender and Queer Studies; many turns – Material, Linguistic, Cultural; and developments in Reception History, Cultural Transfer, and Entangled History, much scholarship on this topic differs little from that written a century ago. In this study, Markus Vinzent challenges the interpretation of the sources that have been used in the study of the Early Christian era. He brings a new approach to the topic by reading history backwards. Applying this methodology to four case studies, and using a range of media, he poses radically new questions on the famous 'Abercius' inscription, on the first extant apologist Aristides of Athens, on the prolific Hippolytus of Rome, and on Ignatius and the first non-canonical collection of letters. Vinzent's novel methodology of a retrospective writing thus challenges many fundamental and anachronistic assumptions about Early Christian history.