reggae island

Within this book over fifty contemporary reggae artists and producers—ranging from Cultural Roots to Dancehall, and including Buju Banton, Shabba Ranks, Tony Rebel, Burning Spear, Bunny Wailer, Judy M

Behind the scenes, stories, jokes and analysis of all the Monkey Island games, including many interviews of the creators. LucasArts has become a legendary developer in part because of The Secret of Monkey Island, which was created here in 1990. The Secret of Monkey Island, the world's most famous point-and-click adventure game, owes its reputation to its world of colourful, delightfully anachronistic pirates, to its Monty Python humour, but also, quite simply, to the fact that it revolutionised a genre. This book is a tribute to the adventures of Guybrush Threepwood, the great pirate. But it also aims to explain why Monkey Island represents a decisive step forward in the way a story can be told through a video game. It will also look back at the turbulent history of LucasArts and Telltale Games, discover a few recipes for voodoo toddy, learn interactive pirate reggae songs, shine at a social gathering of forty-something geeks and discover lines as sharp as a boarding sword (useful for

Jamaica. An island of rum, reggae and Rasta. Of cricket, sprinting and white sandy beaches. And of guns, gangs and murder. Sick of the hype and tawdriness of modern football in the big European league

In the vein of Sound Man and The Soundtrack of My Life, a lyrical, warmhearted, and inspirational memoir from the founder of Island Records about his astonishing life and career helping to bring reggae music to the world stage and working with Bob Marley, U2, Grace Jones, Cat Stevens, and many other icons. Chris Blackwell, like the paradigm-shifting artists he came to support over his sixty-plus years in the music business, never took the conventional route. He grew up between Jamaica and London, crossing paths with Ian Fleming, Noel Coward, and Errol Flynn. After being expelled from an elite British school for rebellious behavior in 1954 at age seventeen, he moved back to Jamaica, and within five years, founded Island Recordsthe company that would make an indelible mark on music, shifting with the times, but always keeping its core identity intact. The Islander is the story of Blackwell and his cohorts at Island Records, who time and again, identified, nurtured, and broke out musician

The diverse musics of the Caribbean form a vital part of the identity of individual island nations and their diasporic communities. At the same time, they witness to collective continuities and the interrelatedness that underlies the region's multi-layered complexity. This Companion introduces familiar and less familiar music practices from different nations, from reggae, calypso and salsa to tambú, méringue and soca. Its multidisciplinary, thematic approach reveals how the music was shaped by strategies of resistance and accommodation during the colonial past and how it has developed in the postcolonial present. The book encourages a comparative and syncretic approach to studying the Caribbean, one that acknowledges its patchwork of fragmented, dynamic, plural and fluid differences. It is an innovative resource for scholars and students of Caribbean musical culture, particularly those seeking a decolonising perspective on the subject.

The diverse musics of the Caribbean form a vital part of the identity of individual island nations and their diasporic communities. At the same time, they witness to collective continuities and the interrelatedness that underlies the region's multi-layered complexity. This Companion introduces familiar and less familiar music practices from different nations, from reggae, calypso and salsa to tambú, méringue and soca. Its multidisciplinary, thematic approach reveals how the music was shaped by strategies of resistance and accommodation during the colonial past and how it has developed in the postcolonial present. The book encourages a comparative and syncretic approach to studying the Caribbean, one that acknowledges its patchwork of fragmented, dynamic, plural and fluid differences. It is an innovative resource for scholars and students of Caribbean musical culture, particularly those seeking a decolonising perspective on the subject.