Fiction. WHITETAIL SHOOTING GALLERY, a new novel from award-winning author and Giller Prize nominee Annette Lapointe, is set in the outer urban, often desolate, landscape of the Saskatchewan prairie.
From the filth and the fury to the elegant extravaganza, ‘Peter Gravelle’, the many named photographer, has remained in the shadows of punk rock, low culture and high fashion, deflecting a
Sergeant Lindsay Boxer tackles an ambitious case that spans San Francisco, L.A., and Chicago in this pulse-pounding thriller of "smart characters" and "shocking twists" (Lisa Gardner, #1 New York Times bestselling author).Three victims, three bullets, three cities. The shooters' aim is as fearsomely precise as their target selection. When Lindsay realizes that the fallen men and women excel in a lucrative, criminal activity, she leads the charge in the manhunt for the killers. As the casualty list expands, fear and fascination with this suspicious shooting gallery galvanizes the country.The victims were no angels, but are the shooters villains . . . or heroes?
Winchester Remington Smith is a crack shot. Problem is, surrounded by roller coasters and merry-go-rounds, his talent is going to waste, knocking down ducks in a carnival shooting gallery. Win wants s
Winchester Remington Smith is a crack shot. Problem is, surrounded by roller coasters and merry-go-rounds, his talent is going to waste, knocking down ducks in a carnival shooting gallery. Win wants s
Limited edition of 750 sets, signed and numbered by Damien Hirst.In 2005 Damien Hirst began photographing every dispensing pharmacy in the Greater London area. Shooting both the individual pharmacists behind their counters and the exterior views of the city’s 1,832 chemists, the project has taken over a decade to complete. The images are brought together in their entirety in this extraordinary ten-volume artist’s book, which presents a portrait of the city through the people and places that prescribe the medicines we take on a habitual and daily basis.Hirst’s career-long obsession with the minimalist aesthetics employed by pharmaceutical companies―the cool colors and simple geometric forms―first manifested in his series of Medicine Cabinets, conceived in 1988 while still at Goldsmiths College. For his 1992 installation Pharmacy Hirst recreated an entire chemist within the gallery space, stating: “I’ve always seen medicine cabinets as bodies, but also like a cityscape or civilization, w
