Mao Zedong remains one of the most controversial figures in modern world history. This 'living legacy' is the subject of intense, ongoing debate both within China and throughout the rest of the world. Here, volume III of the only biography of Mao written with full access to the Chinese Communist Party Archives to date is presented in English translation for the first time. This volume, undertaken by the historians of the Party Literature Research Office of the Central Committee of the Communist Party of China, covers Mao's career in the period 1958–1976. As an extended official account of Mao, and Mao's thought, this work offers a unique source through which to view the ways in which today's Chinese Communist Party has understood and portrayed the transformative events of the twentieth century and Mao's pivotal role therein.
The self-taught mathematician Hua Loo-Keng (1910–1985) has been credited with inspiring generations of mathematicians, while his papers on number theory are regarded as some of the most significant contributions made to the subject during the first half of the twentieth century. An Introduction to Higher Mathematics is based on the lectures given by Hua at the University of Science and Technology of China from 1958. The course reflects Hua's instinctive technique, using the simplest tools to tackle even the most difficult problems, and contains both pure and applied mathematics, emphasising the interdependent relationships between different branches of the discipline. With hundreds of diagrams, examples and exercises, this is a wide-ranging reference text for university mathematics and a testament to the teaching of one of the most eminent mathematicians of his generation.
Mao Zedong remains one of the most controversial figures in modern world history. This 'living legacy' is the subject of intense, ongoing debate both within China and throughout the rest of the world. Here, volume 1 of the only biography of Mao written with full access to the Chinese Communist Party Archives to date is presented in English translation. This volume, the first of three undertaken by the historians of the Party Literature Research Office of the Central Committee of the Communist Party of China, covers Mao's career in the pre-revolutionary period, 1893–1949. As an extended official account of Mao, and Mao's thought, this work offers a unique source through which to view the Chinese Communist Party's portrayal of the transformative events of the twentieth century and Mao's pivotal role therein.
A History of Chinese Art is a lavishly illustrated work covering the history of Chinese art from the Pre-Qin period (pre-221 BCE) to the early twentieth century in two volumes. Compiled by leading art historians at the Central Academy of Fine Arts in Beijing, the volumes offer a Chinese perspective on the rich artistic tradition that has flourished throughout China's long history, from ancient pottery and tomb painting to furniture, sculpture, ceramics, calligraphy and fine art. Discussion is supported by full-colour illustrations throughout, sourced from collections in China and around the world, including recent archaeological discoveries. A History of Chinese Art provides an introductory point of reference for those with an interest in Chinese history, culture and art.
Written by scholars at Peking University, this is a history of Chinese civilisation in its totality, from Neolithic times to the founding of the Chinese Republic in 1911. Each of the four volumes covers political and social institutions, economics, religion, philosophy, science and technology, literature, art and daily life. There is no other work in the English language that covers this range of subjects in a single history. These volumes make accessible a wealth of historical research and sources that have not previously been translated, and provide insights into the views of the foremost Chinese scholars of their generation. These views are placed in context by newly commissioned introductions to each volume, and discussion throughout is supported by illustrations sourced from collections around the world. This ambitious and inspiring work will stimulate fresh debate across the humanities and social sciences, opening new avenues of academic exchange between East and West.
The Opium War of 1839–42, the first military conflict to take place between China and the West, is a subject of enduring interest. Mao Haijian, one of the most distinguished and well-known historians working in China, presents the culmination of more than ten years of research in a revisionist reading of the conflict and its main Chinese protagonists. Mao examines the Qing participants in terms of the moral standards and intellectual norms of their own time, demonstrating that actions which have struck later observers as ridiculous can be understood as reasonable within these individuals' own context. This English-language translation of Mao's work offers a comprehensive response to the question of why the Qing Empire was so badly defeated by the British in the first Opium War - an answer that is distinctive and original within both Chinese and Western historiography, and supported by a wealth of hitherto unknown detail.
Chen Pingyuan is one of the leading scholars of modern Chinese literature, known particularly for his work on wuxia, a popular and influential genre of historical martial arts fiction still celebrated around the world today. This work, presented here in English translation for the first time, is considered to be the seminal work on the evolution, aesthetics and politics of the modern Chinese wuxia novel in the nineteenth and early twentieth centuries, tracing the resurgence of interest in classical chivalric tales in China.
With no comparable study in the English language, the first English translation of Fan Boqun's A History of Popular Modern Chinese Literature presents one of the most authoritative and significant studies on modern Chinese literature to a new readership. Starting in the late Qing Dynasty, a period often overlooked by literary scholars, Fan maps the blueprint of modern Chinese popular literature through a broad range of popular literary genres. Thoughtfully illustrated throughout and utilising courtesan novels, martial arts fiction, pictorial journalism and detective novels, Fan's innovative approach to this rich material develops pioneering new arguments which will be of interest to all interested in modern Chinese literature, popular and visual culture in late Qing and Republican China.
The first English translation of Li Bozhong's pioneering study An Early Modern Economy in China uses sophisticated analysis to reconstruct the GDP of the Yangzi Delta. In this innovative economic history, Li provides a basis for understanding the Delta's economy, an area of unprecedented growth in modern times. Using quantitative research Li carefully reconstructs the economies of the region, combining three methods for estimating GDP: output, income, and expenditure. The result reveals the structure and level of income and production in this highly commercialized and urbanized part of China, establishing a benchmark for future reconstructions of regional economies through GDP. This is a landmark text in the field of economic history which has had a great impact on understanding Chinese economic history in global perspective.
Drawing on a wide range of sources, this book discusses the social history of China in the period 960–1279, comparing the different ethnic cultures of Song 'China' and its neighbouring empires. This valuable reference work for our understanding of the Song, Liao, Western Xia and Jin Dynasties presents recent Chinese research in English translation for the first time, exploring topics including material culture, food, technology, ritual, religion, medicine, gender, family and language.
In this lavishly illustrated study, the scholar and critic Yi Ying brings a distinctly Chinese perspective to the development of art and artists in China since 1949. These have been years of dramatic change for China, and the art of this period is therefore of historical, political and cultural interest, being first used to promote the revolutionary cause, later to question and criticise and, more recently, charting the changes in cultural and economic policy that have taken place since 1978. In the twenty-first century, Chinese art is diverse, distinctive, and highly prized in the global art market. Presented here in English translation for the first time, Yi's narrative opens up fresh questions about both the nature of contemporary art and the China of today.
Known internationally as 'Mr Share Holding', the economist Li Yining has had a transformative impact on China's economic transition, most notably as an early advocate of ownership reforms in the state and other non-private sectors and in his promotion of shareholding theory, initiating the drive towards a modern corporate system in China. The thinking behind these and other landmark contributions that have helped to reshape China are featured in Economic Reform and Development in China, a collection of sixteen influential papers written and published during the reform period, from 1980 to 1998. Incorporating original research, policy proposals and theoretical thinking, these papers trace the development of Li's thought and the process through which the 'China Miracle' has been worked over the last three decades. This newly edited translation introduces how inextricably linked Li's academic work has been to the development of a distinctively Chinese path of economic reform.
The International Military Tribunal for the Far East, often known as the Tokyo Trial was held by the Allied Nations from 1946–8 to try Japanese military and civil officials for war crimes committed during World War II. The trial proceedings were controversial at the time and remain a highly emotive subject, particularly in East Asia. This collection of essays from leading Chinese historians, presented here in English translation for the first time, represents a distinctively Chinese approach to the interpretation of the trial and its significance today. The essays are supplemented by a detailed chronology and by firsthand accounts of the trial by two men who represented China in the proceedings: the judge Mei Ru'ao and the prosecution consultant Ni Zhengyu.
This is an illustrated cultural history of the emergence of modern literature in China from the late nineteenth century through the early years of the Chinese Republic, the 1930s and the war period, ending in 1949. Wu Fuhui takes an interdisciplinary approach to the topic, drawing in book production, translation, popular and elite texts, international influences and political history. Presented here in English translation for the first time, Wu argues that this was a transformative period in Chinese literature informed both by developments in China's domestic history and the dynamics of global circulation and encounter.
China's rise to power is the signal event of the twenty-first century, and this volume offers a contemporary view of this nation in ascendancy from the inside. Eight recent essays by Xu Jilin, a popular historian and one of China's most prominent public intellectuals, critique China's rejection of universal values and the nation's embrace of Chinese particularism, the rise of the cult of the state and the acceptance of the historicist ideas of Carl Schmitt and Leo Strauss. Xu's work is distinct both from better-known voices of dissent and also from the 'New Left' perspectives, offering instead a liberal reaction to the complexity of China's rise. Yet this work is not a shrill denunciation of Xu's intellectual enemies, but rather a subtle and heartfelt call for China to accept its status as a great power and join the world as a force for good.
China's rise to power is the signal event of the twenty-first century, and this volume offers a contemporary view of this nation in ascendancy from the inside. Eight recent essays by Xu Jilin, a popular historian and one of China's most prominent public intellectuals, critique China's rejection of universal values and the nation's embrace of Chinese particularism, the rise of the cult of the state and the acceptance of the historicist ideas of Carl Schmitt and Leo Strauss. Xu's work is distinct both from better-known voices of dissent and also from the 'New Left' perspectives, offering instead a liberal reaction to the complexity of China's rise. Yet this work is not a shrill denunciation of Xu's intellectual enemies, but rather a subtle and heartfelt call for China to accept its status as a great power and join the world as a force for good.
This is the first English translation of Lei Haizong's study of the Chinese army, reappraising Chinese civilisation from a military perspective. Born out of concern for China's military circumstances during the Second Sino-Japanese War, Lei traces the development of military culture from the ancient world to the 1930s. Completed during the second year of the war, Lei wrote in direct proximity to harrowing events that were taking place in China, attempting to lay out a more hopeful path which resonated greatly with its readership at the time. Avoiding traditional national narratives and employing a new system of periodisation that uses neither dynastic cycles nor Western ideas, Lei's study emphasises unique features of Chinese history whilst embracing the broader global context. Although today China has risen as a global military power, Lei's work stands as a powerful assessment of Chinese military history from the stance of scholar writing during the Japanese occupation.
The Opium War of 1839–42, the first military conflict to take place between China and the West, is a subject of enduring interest. Mao Haijian, one of the most distinguished and well-known historians working in China, presents the culmination of more than ten years of research in a revisionist reading of the conflict and its main Chinese protagonists. Mao examines the Qing participants in terms of the moral standards and intellectual norms of their own time, demonstrating that actions which have struck later observers as ridiculous can be understood as reasonable within these individuals' own context. This English-language translation of Mao's work offers a comprehensive response to the question of why the Qing Empire was so badly defeated by the British in the first Opium War - an answer that is distinctive and original within both Chinese and Western historiography, and supported by a wealth of hitherto unknown detail.
This is the first English translation of Lu Zongli's major study of rumor in the early Chinese empires. Lu explores how rumor, a non-official form of public opinion, formed and spread through non-official channels of early Chinese history. In this careful investigation, Lu utilizes sources concerning dynastic politics, popular songs, mythology and prophetic texts, dissecting the nature, function and impact of rumor on politics and culture. His work demonstrates the ways that historians can examine views outside of mainstream thinking, interpret group mentality and try to understand the atmosphere of a specific moment in history.
Deng Yunte was a respected academic and artist. He was also a propagandist and political commentator, before becoming one of the earliest victims of the Cultural Revolution. He committed suicide in 1966. This is the first English translation of his classic study of famine relief in Chinese history. Richly researched, Deng plots the history of famine from ancient times to the Republican period, and explores the impact of famine relief in China with a focus on social and economic forces. This is a unique and revealing text, not only as a study of famine in China, but as an example of historical scholarship from twentieth-century China.
