Ranked by many scholars as the greatest master of early Italian Renaissance painting, Masaccio (1401-1428) was the first artist to use effects of light to create three-dimensional images on a two-dime
Edgar Degas was one of the great pioneers of modern art, and the J. Paul Getty and Norton Simon museums are fortunate to own jointly one of his finest pastels, Waiting (L'Attente), which he made somet
The Stammheim Missal is one of the most visually dazzling and theologically ambitious works of German Romanesque art. Containing the text recited by the priest and the chants sung by the choir at ma
In new art-historical research, Gregory Clark places this manuscript's vivid, even witty, imagery in the turbulent context of Parisian culture around 1420. Clark also examines the book of hours in the
The series introduces individual works or small groups of related works to a general audience and demonstrates the range of approaches that can be taken in analyzing works of art. Each monograph featu
