(Boosey & Hawkes Scores/Books). Lindberg's writing in this concerto has been compared to that of the Sibelius violin concerto. Since the premiere in 2006 by Lisa Batiashvili the work has estab
(Boosey & Hawkes Scores/Books). Composed in 1989 for chamber orchestra, MacMillan based this piece on the form of a love poem by William Soutar written in broad Scots called 'The Tryst'.
(Boosey & Hawkes Scores/Books). Orchestral version for tenor, viola and string orchestra. Contents: Lord! come away! (Jeremy Taylor) * Who is this fair one? (Isaac Watts) * Come Love, come Lord (R
