Lukas Moodysson is one of the most accomplished and unconventional filmmakers of his generation in Sweden. Moodysson, now well known for his English-language film Mammoth (2009) as well as his heartbr
Dagur Kari's Noi the Albino (Noi albinoi, 2003) succeeded on the international festival circuit as a film that was both distinctively Icelandic and appealingly universal. Noi the Albino taps into pere
Lone Scherfig was the first of a number of women directors to take up the challenge of Dogme, the back-to-basics, manifesto-based, rule-governed, and now globalized film initiative introduced by Danis
Lukas Moodysson is one of the most accomplished and unconventional filmmakers of his generation in Sweden. Moodysson, now well known for his English-language filmMammoth (2009) as well as his heartbre
Swedish filmmaker Roy Andersson’s celebrated and enigmatic film Songs from the Second Floor, his first feature film in twenty-five years, won the Special Jury Prize at the Cannes Film Festival in 2000
Swedish filmmaker Roy Andersson’s celebrated and enigmatic film Songs from the Second Floor, his first feature film in twenty-five years, won the Special Jury Prize at the Cannes Film Festival in 2000
Ingmar Bergman's 1963 film The Silence was made at a point in his career when his stature as one of the great art-film directors allowed him to push beyond the boundaries of what was acceptable to cen
Lone Scherfig was the first of a number of women directors to take up the challenge of Dogme, the back to basics, manifesto-based, rule-governed, and now globalized film initiative introduced by Danis
"Danish filmmaker Thomas Vinterberg's searing film Festen ("The Celebration") was the first film from the Dogme 95 stable. Adhering to Dogme's cinematic purity--no artificial lighting, no superficial
