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即日起~7/10,三民書局週年慶暖身活動,簽到拿好禮!

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原文書 (10)
商品狀況

可訂購商品 (10)
庫存狀況

無庫存 (10)
商品定價

$800以上 (10)
出版日期

2016年以前 (10)
裝訂方式

精裝 (10)
作者

Annette Hoffmann (EDT)/ Gerhard Wolf (EDT) (1)
Ashby Kinch (1)
Barbara Baert/ Irene Schaudies (TRN) (1)
Brigitte Miriam Bedos-rezak (1)
Charles E. Barber (1)
Debra Higgs Strickland (EDT) (1)
James H. Brown (1)
Louise Bourdua (EDT)/ Robert Gibbs (EDT) (1)
Renana Bartal (EDT)/ Hanna Vorholt (EDT) (1)
Roland Betancourt (EDT)/ Maria Taroutina (EDT) (1)
出版社/品牌

Brill Academic Pub (10)

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10筆商品,1/1頁
Jerusalem As Narrative Space / Erzahlraum Jerusalem
作者:Annette Hoffmann (EDT); Gerhard Wolf (EDT)  出版社:Brill Academic Pub  出版日:2012/10/01 裝訂:精裝
From an interdisciplinary December 2007 conference in Florence, 24 papers, seven in German, explore Jerusalem as a space where stories are told, mostly regarding Christianity but also the other Abraha
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02-25006600[分機130、131]。
Images of Medieval Sanctity ― Essays in Honour of Gary Dickson
作者:Debra Higgs Strickland (EDT)  出版社:Brill Academic Pub  出版日:2007/08/30 裝訂:精裝
This volume's essays together provide a rich investigation of the idea of sanctity and its many medieval manifestations across time (fifth through fifteenth centuries) and in different geographical lo
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02-25006600[分機130、131]。
Byzantium/Modernism ─ The Byzantine As Method in Modernity
作者:Roland Betancourt (EDT); Maria Taroutina (EDT)  出版社:Brill Academic Pub  出版日:2015/07/15 裝訂:精裝
Byzantium/Modernism examines the cross-temporal interchange between Byzantium and modernism and articulates how and why Byzantine art and image theory can contribute to our understanding of modern and
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02-25006600[分機130、131]。
Caput Johannis in Disco—Essay on a Man's Head
作者:Barbara Baert; Irene Schaudies (TRN)  出版社:Brill Academic Pub  出版日:2012/06/01 裝訂:精裝
The man in question is John the Baptist, and the the Bible says that his head was removed on the order of Herod's daughter, traditionally named Salome. Legend holds that the head was later found in Je
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02-25006600[分機130、131]。
When Ego Was Imago ─ Signs of Identity in the Middle Ages
作者:Brigitte Miriam Bedos-rezak  出版社:Brill Academic Pub  出版日:2010/11/30 裝訂:精裝
The diffusion of personal signs of identity during the twelfth century introduced individuals to mediated forms of communication. The book analyses the conditions for and the implications of their par
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02-25006600[分機130、131]。
A Wider Trecento ─ Studies in 13th- and 14th-Century European Art Presented to Julian Gardner
作者:Louise Bourdua (EDT); Robert Gibbs (EDT)  出版社:Brill Academic Pub  出版日:2011/12/31 裝訂:精裝
In honor of Professor Julian Gardner( history of art, U. of Warwick, UK), some of his former students present 12 papers drawing inspiration from his teaching and writing. The wide ranging contribution
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02-25006600[分機130、131]。
Imagining the Text ― Ekphrasis and Envisioning Courtly Identity in Wirnt Von Gravenberg's wigalois
作者:James H. Brown  出版社:Brill Academic Pub  出版日:2014/12/15 裝訂:精裝
In Imagining the Text, James Brown examines ekphrasis, illuminated manuscripts, and the changing notions of courtly identity in Wirnt von Gravenberg’s popular medieval German Arthurian romance Wigaloi
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02-25006600[分機130、131]。
Contesting the Logic of Painting ― Art and Understanding in Eleventh-Century Byzantium
作者:Charles E. Barber  出版社:Brill Academic Pub  出版日:2007/10/15 裝訂:精裝
Paintings of the Christian God cannot be dismissed as a special case, argues Barbar (history of art, U. of Notre Dame), but in fact raise questions about the fundamental modern assumptions regarding h
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02-25006600[分機130、131]。
Between Jerusalem and Europe ― Essays in Honour of Bianca K?▋el
作者:Renana Bartal (EDT); Hanna Vorholt (EDT)  出版社:Brill Academic Pub  出版日:2015/07/20 裝訂:精裝
Between Jerusalem and Europe: Essays in Honour of Bianca Kuhnel analyses how Jerusalem is translated into the visual and material culture of Europe, and in what ways European encounters with the city
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02-25006600[分機130、131]。
Imago Mortis ─ Mediating Images of Death in Late Medieval Culture
作者:Ashby Kinch  出版社:Brill Academic Pub  出版日:2013/03/01 裝訂:精裝
In "Imago Mortis: Mediating Images of Death in Late Medieval Culture," Ashby Kinch argues that late medieval artists, writers, and patrons creatively adapted conventional death iconography in ways tha
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02-25006600[分機130、131]。

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