Co-published by MENC: The National Association for Music Education. Crowd Control is a nuts-and-bolts manual for teachers of middle and high school performance-based classes such as band, orchestra, a
Crowd Control 2nd edition is a nuts-and-bolts manual for teachers of middle and high school performance-based classes such as band, orchestra, and chorus. This practical 'how-to' guide shows teachers,
Crowd Control 2nd edition is a nuts-and-bolts manual for teachers of middle and high school performance-based classes such as band, orchestra, and chorus. This practical 'how-to' guide shows teachers,
This thoughtful, delicate, dramatic and at times joyful Stabat Mater, is the vocal work that established Haydn throughout Europe as a great composer of religious music.
First performed in concert in 1808, the Choral Fantasy was composed as a "Finale" that would represent elements of the several works that had been performed in the concert. This Belwin Mills score is
This is probably the best of Haydn's early short masses, and certainly the most well-known. The Robbins Landon edition, based on the original performance materials, is now the standard, authoritative
This authoritative Faber Urtext edition of the Vocal Score to Weber's Mass in E Flat J224 is prepared from the composer's manuscript by the scholar Clive Brown, and includes the previously unpublished
Prepared from the composer's autograph manuscript, Brian Newbould's authoritative new performing edition of Schubert's celebratory Magnificat brings this little-known masterpiece to light. A short, pe
A serenata for Soprano, 2 Tenors and Bass soli, SATB chorus and orchestra. This vocal score, edited by Joseph Barnby and revised by Watkins Shaw, includes a piano reduction of the orchestral score.
Giovanni Battista Pergolesi (1710-1736) lived only 26 years before dying of tuberculosis, and in the final year of his life wrote his best known sacred work, the "Stabat Mater," for male soprano, male
Purcell composed six of his finest odes to honor the birthdays of Queen Mary in successive years from 1689. Come, ye sons of art (1694) followed recent stage successes and contains some of the compose