With Biotechnology and Society, Hallam Stevens offers an up-to-date primer to help us understand the interactions of biotechnology and society and the debates, controversies, fears, and hopes that hav
Cinema was the most important new artistic medium of the twentieth century and modernism was the most important new aesthetic movement across the arts in the twentieth century. However, what exactly is the relationship between cinema and modernism? Cinematic Modernism and Contemporary Film explores how in the early twentieth century cinema came to be seen as one of the new technologies which epitomised modernity and how cinema itself reflected ideas, hopes and fears concerning modern life. Howard Finn examines the emergence of a new ‘international style’ of cinema, combining a poetic aesthetic of the image with genre-based fictional narrative and documentary realism. He provides concise accounts of how theorists such as André Bazin, Siegfried Kracauer, Gilles Deleuze and Jacques Rancière have discussed this cinematic aesthetic, clarifying debates over terms such as ‘realism’, ‘classical’ and ‘avant-garde’ as well as recent controversies over terms such as ‘slow cinema’ and ‘vernac
Contemporary visions of the future have been shaped by hopes and fears about the effects of human technology and global capitalism on the natural world. In an era of climate change, mass extinction, a
The first compendium on robotic art of its kind, this book explores the integration of robots into human society and our attitudes, fears and hopes in a world shared with autonomous machines. It raise
In this book inhabitants of Atlantis and Lemuria come alive--their hopes and fears, their achievements and sins. The submerged continents are described in graphic detail--their location, history, flo
Popular culture in this "biological century" seems to feed on proliferating representations of the fears, anxieties, and hopes around the life sciences, at a time when such basic concepts as scientifi
The book of Psalms has been precious to countless people in many languages and countries over many centuries. It has expressed their hopes and fears, inspired their faith, and renewed their trust in G
In her books Spilling Open, Brave on the Rocks, and Messy Thrilling Life, Sabrina Ward Harrison shared her thoughts, fears, hopes, and joys through vibrantly illustrated journal entries. Her new work,
The latest passionate drama from South African Athol Fugard portrays in moving, personal terms the recent conflicts, fears and hopes that have reshaped the political landscape of his native land. "If
During the French Revolution most performances on the London stage were strictly censored, but political attitudes found indirect expression. New and popular genres like pantomime, gothic drama, history plays, musical and spectacular entertainment, and, above all, melodrama provided metaphors for the hopes and fears inspired by the conflict in France and subsequent European wars. This 2001 book looks at how British drama and popular entertainment were affected by the ideas and events of the French Revolution and Napoleonic Wars. He argues that melodrama had its origins in this period, with certain gothic villains displaying qualities attributed to Robespierre and Napoleon, and that recurrent images of incarceration and dispossession reflected fears of arbitrary persecution, from the tyranny of the Bastille to the Jacobin's Reign of Terror. By a cultural analysis of the popular entertainment and theatre performances of the eighteenth and nineteenth centuries Taylor reveals issues of ide
During the French Revolution most performances on the London stage were strictly censored, but political attitudes found indirect expression. New and popular genres like pantomime, gothic drama, history plays, musical and spectacular entertainment, and, above all, melodrama provided metaphors for the hopes and fears inspired by the conflict in France and subsequent European wars. This 2001 book looks at how British drama and popular entertainment were affected by the ideas and events of the French Revolution and Napoleonic Wars. He argues that melodrama had its origins in this period, with certain gothic villains displaying qualities attributed to Robespierre and Napoleon, and that recurrent images of incarceration and dispossession reflected fears of arbitrary persecution, from the tyranny of the Bastille to the Jacobin's Reign of Terror. By a cultural analysis of the popular entertainment and theatre performances of the eighteenth and nineteenth centuries Taylor reveals issues of ide
Children are the future. Or so we like to tell ourselves. In the wake of the Second World War, Americans took this notion to heart. Confronted by both unprecedented risks and unprecedented opportunities, they elevated and perhaps exaggerated the significance of children for the survival of the human race. Razing Kids analyzes the relationship between the postwar demographic explosion and the birth of postwar ecology. In the American West, especially, workers, policymakers, and reformers interwove hopes for youth, environment, and the future. They linked their anxieties over children to their fears of environmental risk as they debated the architecture of wartime playgrounds, planned housing developments and the impact of radioactive particles released from distant hinterlands. They obsessed over how riot-riddled cities, War on Poverty era rural work camps and pesticide-laden agricultural valleys would affect children. Nervous about the world they were making, their hopes and fears resh
Children are the future. Or so we like to tell ourselves. In the wake of the Second World War, Americans took this notion to heart. Confronted by both unprecedented risks and unprecedented opportunities, they elevated and perhaps exaggerated the significance of children for the survival of the human race. Razing Kids analyzes the relationship between the postwar demographic explosion and the birth of postwar ecology. In the American West, especially, workers, policymakers, and reformers interwove hopes for youth, environment, and the future. They linked their anxieties over children to their fears of environmental risk as they debated the architecture of wartime playgrounds, planned housing developments and the impact of radioactive particles released from distant hinterlands. They obsessed over how riot-riddled cities, War on Poverty era rural work camps and pesticide-laden agricultural valleys would affect children. Nervous about the world they were making, their hopes and fears resh
Widely acclaimed as the best animated film of all time, Tale of Tales is a poetic amalgam of Yuri Norstein’s memories of his past and hopes and fears for the future: his post-war childhood, remnants o
This book systematically explores the trade and environment interests of developing countries from a Southern perspective. The contributors write explicitly about both the fears and hopes in the South
Institutional care for seniors offers a cultural repository for fears and hopes about an aging population. Although enormous changes have occurred in how institutional care is structured, the legacies
Examining the birth and development of publicly funded municipal museums In England during the period, Hill (history, U. of Lincoln) asks why so many hopes and fears were pinned on them, how they acte
After the Second World War, the General Agreement on Tariffs and Trade (GATT) promoted trade liberalization to help make the world prosperous and peaceful. Francine McKenzie uses case studies of the Cold War, the creation of the EEC and other regional trade agreements, development, and agriculture, to show that trade is a primary goal of foreign policy, a dominant (and divisive) aspect of international relations, and a vital component of global order. She unpacks the many ways in which trade was politicised, and the layers of meaning associated with trade; trade policies, as well as disputes about trade, communicated ideas, hopes and fears that were linked to larger questions of identity, sovereignty, and status. This study reveals how the economic and political dimensions of foreign policy and international engagement intersected, showing that trade was not only instrumentalised in the service of particular policies or relations but that it was also an essential aspect of internationa
