Design Literacies: Learning and Innovation in the Digital Age explores new ways of meaning making by examining the practices, stories, and products of new and digital media producers with the goal of
The Chinese invented gunpowder and began exploring its military uses as early as the 900s, four centuries before the technology passed to the West. But by the early 1800s, China had fallen so far behind the West in gunpowder warfare that it was easily defeated by Britain in the Opium War of 1839-42. What happened? In The Gunpowder Age, Tonio Andrade offers a compelling new answer, opening a fresh perspective on a key question of world history: why did the countries of western Europe surge to global importance starting in the 1500s while China slipped behind?Historians have long argued that gunpowder weapons helped Europeans establish global hegemony. Yet the inhabitants of what is today China not only invented guns and bombs but also, Andrade shows, continued to innovate in gunpowder technology through the early 1700s--much longer than previously thought. Why, then, did China become so vulnerable? Andrade argues that one significant reason is that it was out of practice fighting wars,
The United States registered phenomenal economic growth between the establishment of the new republic and the end of the Civil War. Ross Thomson's fresh study accounts for the unprecedented technolog
This collection of essays theoretically and empirically examines how diverse groups are trying to restore a sense of meaning through religious innovation. The first group of essays consider new develo
The South has typically been viewed as a region not favorably disposed to innovation and technology, yet innovation was never absent from industrialization. These seven essays assess the role
Creativity is an integral part of human history, yet most studies focus on the modern era, leaving unresolved questions about the formative role that creativity has played in the past. This book explores the fundamental nature of creativity in the European Bronze Age. Considering developments in crafts that we take for granted today, such as pottery, textiles, and metalwork, the volume compares and contrasts various aspects of their development, from the construction of the materials themselves, through the production processes, to the design and effects deployed in finished objects. It explores how creativity is closely related to changes in material culture, how it directs responses to the new and unfamiliar, and how it has resulted in changes to familiar things and practices. Written by an international team of scholars, the case studies in this volume consider wider issues and provide detailed insights into creative solutions found in specific objects.
Managing technological innovations and related policy and strategy issues have been a central focus of the new millennium. This book series presents an interdisciplinary scholarship and dialogue on th
How millennials are changing our ideas about work, the "gig economy", social mobility, opportunity and technologyMillennials are coming of age at a time when work is temporary, underpaid, incommensura
Humankind has always sought out innovative and new ways of waging war, establishing new forms of warfare. Set against a background of global strategic instability this process of innovation has, over
The banking and eurozone crises have triggered a new age of austerity during which customers will radically alter their buying behaviour. Many existing management theories are becoming inapplicable du
Managing technological innovations and related policy and strategy issues have been a central focus of the new millennium. This book series presents an interdisciplinary scholarship and dialogue on th
Managing technological innovations and related policy and strategy issues have been a central focus of the new millennium. This book series presents an interdisciplinary scholarship and dialogue on th
Warfare in Bronze Age Society takes a fresh look at warfare and its role in reshaping Bronze Age society. The Bronze Age represents the global emergence of a militarized society with a martial culture, materialized in a package of new efficient weapons that remained in use for millennia to come. Warfare became institutionalized and professionalized during the Bronze Age, and a new class of warriors made their appearance. Evidence for this development is reflected in the ostentatious display of weapons in burials and hoards, and in iconography, from rock art to palace frescoes. These new manifestations of martial culture constructed the warrior as a 'Hero' and warfare as 'Heroic'. The case studies, written by an international team of scholars, discuss these and other new aspects of Bronze Age warfare. Moreover, the essays show that warriors also facilitated mobility and innovation as new weapons would have quickly spread from the Mediterranean to northern Europe.
Generations of scholars have grappled with the origins of 'palace' society on Minoan Crete, seeking to explain when and how life on the island altered monumentally. Emily Anderson turns light on the moment just before the palaces, recognizing it as a remarkably vibrant phase of socio-cultural innovation. Exploring the role of craftspersons, travelers and powerful objects, she argues that social change resulted from creative work that forged connections at new scales and in novel ways. This study focuses on an extraordinary corpus of sealstones which have been excavated across Crete. Fashioned of imported ivory and engraved with images of dashing lions, these distinctive objects linked the identities of their distant owners. Anderson argues that it was the repeated but pioneering actions of such diverse figures, people and objects alike, that dramatically changed the shape of social life in the Aegean at the turn of the second millennium BCE.
In Technology and the Diva, Karen Henson brings together an interdisciplinary group of scholars to explore the neglected subject of opera and technology. Their essays focus on the operatic soprano and her relationships with technology from the heyday of Romanticism in the 1820s and 1830s to the twenty-first-century digital age. The authors pay particular attention to the soprano in her larger than life form, as the 'diva', and they consider how her voice and allure have been created by technologies and media including stagecraft and theatrical lighting, journalism, the telephone, sound recording, and visual media from the painted portrait to the high definition simulcast. In doing so, the authors experiment with new approaches to the female singer, to opera in the modern - and post-modern - eras, and to the often controversial subject of opera's involvement with technology and technological innovation.
How did openness become a foundational value for the networks of the twenty-first century? Open Standards and the Digital Age answers this question through an interdisciplinary history of information networks that pays close attention to the politics of standardization. For much of the twentieth century, information networks such as the monopoly Bell System and the American military's Arpanet were closed systems subject to centralized control. In the 1970s and 1980s however, engineers in the United States and Europe experimented with design strategies to create new digital networks. In the process, they embraced discourses of 'openness' to describe their ideological commitments to entrepreneurship, technological innovation, and participatory democracy. The rhetoric of openness has flourished - for example, in movements for open government, open source software, and open access publishing - but such rhetoric also obscures the ways the Internet and other 'open' systems still depend heavi
How did openness become a foundational value for the networks of the twenty-first century? Open Standards and the Digital Age answers this question through an interdisciplinary history of information networks that pays close attention to the politics of standardization. For much of the twentieth century, information networks such as the monopoly Bell System and the American military's Arpanet were closed systems subject to centralized control. In the 1970s and 1980s however, engineers in the United States and Europe experimented with design strategies to create new digital networks. In the process, they embraced discourses of 'openness' to describe their ideological commitments to entrepreneurship, technological innovation, and participatory democracy. The rhetoric of openness has flourished - for example, in movements for open government, open source software, and open access publishing - but such rhetoric also obscures the ways the Internet and other 'open' systems still depend heavi
This book marks the centenary of the Church in Wales, following its disestablishment in 1920. Part I provides a historical overview: from the Age of the Saints to Victorian times; the disestablishment campaign; Christianity in Wales since 1920; and broad issues faced over the century. Part II explores the constitution, bishops and archbishops, clergy, and laity. Part III examines doctrine, liturgy, rites of passage, and relations with other faith communities. Part IV deals with the church and culture, education, the Welsh language, and social responsibility. Part V discusses the changing images of the Church and its future. Around themes of continuity and change, the book questions assumptions about the Church, including its distinctive theology and Welshness, ecumenical commitment, approach to innovation, and response to challenges posed by the State and wider world in an increasingly pluralist and secularised Welsh society over the century.
This book marks the centenary of the Church in Wales, following its disestablishment in 1920. Part I provides a historical overview: from the Age of the Saints to Victorian times; the disestablishment campaign; Christianity in Wales since 1920; and broad issues faced over the century. Part II explores the constitution, bishops and archbishops, clergy, and laity. Part III examines doctrine, liturgy, rites of passage, and relations with other faith communities. Part IV deals with the church and culture, education, the Welsh language, and social responsibility. Part V discusses the changing images of the Church and its future. Around themes of continuity and change, the book questions assumptions about the Church, including its distinctive theology and Welshness, ecumenical commitment, approach to innovation, and response to challenges posed by the State and wider world in an increasingly pluralist and secularised Welsh society over the century.
Michelangelo was acutely conscious of living in an age of religious crisis and artistic change, and for him the two issues were related. Michelangelo and the Reform of Art explores Michelangelo's awareness of artistic tradition as a means of understanding his relation, as a devoutly Christian artist, to the profound religious uncertainty of the sixteenth century. Concentrating on Michelangelo's lifelong preoccupation with the image of the dead Christ, Alexander Nagel studies the artist's associations with reform-minded circles in early sixteenth-century Italy, and reveals his sustained concern over the fate of religious art in his own day. Within the context of reform, Michelangelo's art reflects an artistic and religious culture where self-conscious archaism mingles with aggressive innovation, and ambivalence regarding the role of images yields radical aesthetic experimentation. A reassessment of Michelangelo's work, this revisionist study sheds new light on High Renaissance and Manne
