This book offers a glimpse into the wide-ranging 50-year career of the internationally renowned Hong Kong photographer/designer through his work in collages and photomontages. From his early album covers when he was an art director/designer for the music industry in New York, Los Angeles and London in the 1970’s, through his diverse international assignments and personal works, to his most recent exhibition in Hong Kong. The story encompasses the long journey from cut-and-paste collages to the computer-composited photomontages of dreamscapes in this Carnival of Dreams.In his introduction titled ‘The Man from Everywhere’, Pico Iyer writes: “For decades now, Basil Pao has been the global eye through which I’ve taken in almost every country, as clearly as the world within… I never know where to place Basil; I can’t get my head around him. Album-designer, loving father, covert Chan master—21st century Renaissance man—Basil is always bringing the many worlds inside him together to create so
This book provides an introduction to Plato’s work that gives a clear statement of what Plato has to say about the problems of thought and life. In particular, it tells the reader just what Plato says
This book provides an introduction to Plato’s work that gives a clear statement of what Plato has to say about the problems of thought and life. In particular, it tells the reader just what Plato says
This book is the first introduction in any language to the work of Eberhard Jüngel, who increasingly is recognised as one of the leading contemporary Protestant German theologians. It furnishes a comprehensive survey of his work as New Testament scholar, systematic theologian and philosopher, focusing particularly on his discussions of theological and religious language, the role of Christology, the doctrines of God and man, and questions of natural theology. Some initial evaluations of Jüngel's theology are offered in the light of other current traditions of theology and philosophy, both English and German.
Julien Offray de La Mettrie (1709–51), author of Machine Man (1747), was the most uncompromising of the materialists of the eighteenth century, and the provocative title of his work ensured it a succès de scandale in his own time. It was however a serious, if polemical, attempt to provide an explanation of the workings of the human body and mind in purely material terms and to show that thought was the product of the workings of the brain alone. This fully annotated edition presents an English translation of the text together with the most important of La Mettrie's other philosophical works translated into English, and Ann Thomson's introduction examines his aims and the scandalous moral consequences which he drew from his materialism.
Julien Offray de La Mettrie (1709–51), author of Machine Man (1747), was the most uncompromising of the materialists of the eighteenth century, and the provocative title of his work ensured it a succès de scandale in his own time. It was however a serious, if polemical, attempt to provide an explanation of the workings of the human body and mind in purely material terms and to show that thought was the product of the workings of the brain alone. This fully annotated edition presents an English translation of the text together with the most important of La Mettrie's other philosophical works translated into English, and Ann Thomson's introduction examines his aims and the scandalous moral consequences which he drew from his materialism.
Ralph Ellison's classic 1952 novel Invisible Man is one of the most important and controversial novels in the American canon and remains widely read and studied. This Companion provides an introduction to this influential and significant novelist and critic and to his masterpiece. It features essays by leading scholars, a chronology and a guide to further reading. The essays reveal alternative dimensions of Ellison's art radiating out from Invisible Man into other domains - technology, political theory, law, photography, music, religion - and recover the compelling urgency and relevance of Ellison's political and artistic vision. Since Ellison's death his published oeuvre has been expanded by several major volumes - his collected essays, the fragment of a novel, Juneteenth (1999), letters and short stories - examined here in the context of his life and work. Students and scholars of Ellison and of American and African-American literature will find this an invaluable and accessible guid
Ralph Ellison's classic 1952 novel Invisible Man is one of the most important and controversial novels in the American canon and remains widely read and studied. This Companion provides an introduction to this influential and significant novelist and critic and to his masterpiece. It features essays by leading scholars, a chronology and a guide to further reading. The essays reveal alternative dimensions of Ellison's art radiating out from Invisible Man into other domains - technology, political theory, law, photography, music, religion - and recover the compelling urgency and relevance of Ellison's political and artistic vision. Since Ellison's death his published oeuvre has been expanded by several major volumes - his collected essays, the fragment of a novel, Juneteenth (1999), letters and short stories - examined here in the context of his life and work. Students and scholars of Ellison and of American and African-American literature will find this an invaluable and accessible guid
This Companion offers a comprehensive introduction to the life and work of a major figure of the modern world. Combining breadth of coverage with depth, the book opens with essays on More's family, early life and education, his literary humanism, virtuoso rhetoric, illustrious public career and ferocious opposition to emergent Protestantism, and his fall from power, incarceration, trial and execution. These chapters are followed by in-depth studies of five of More's major works - Utopia, The History of King Richard the Third, A Dialogue Concerning Heresies, A Dialogue of Comfort against Tribulation and De Tristitia Christi - and a final essay on the varied responses to the man and his writings in his own and subsequent centuries. The volume provides an accessible overview of this fascinating figure to students and other interested readers, whilst also presenting, and in many areas extending, the most important modern scholarship on him.
This Companion offers a comprehensive introduction to the life and work of a major figure of the modern world. Combining breadth of coverage with depth, the book opens with essays on More's family, early life and education, his literary humanism, virtuoso rhetoric, illustrious public career and ferocious opposition to emergent Protestantism, and his fall from power, incarceration, trial and execution. These chapters are followed by in-depth studies of five of More's major works - Utopia, The History of King Richard the Third, A Dialogue Concerning Heresies, A Dialogue of Comfort against Tribulation and De Tristitia Christi - and a final essay on the varied responses to the man and his writings in his own and subsequent centuries. The volume provides an accessible overview of this fascinating figure to students and other interested readers, whilst also presenting, and in many areas extending, the most important modern scholarship on him.
A selection from Arnold's writing on education, other than Culture and Anarchy. All the pieces stem from his work as Inspector of Schools: they illustrate his concern both with the principles that must be established as a basis for the education of an industrial democracy and his practical concern with the day-to-day running of schools. 'Democracy' was first published as the introduction to The Popular Education of France. It faces the fundamental political problems and outlines the general objectives of a state educational system. 'A French Eton' was the result of the same examination of French education to see what the British could learn from it; here he considers private education for the middle-classes. 'The twice-revised code' criticises the national Revised Code of 1862: a system founded on gross utilitarianism. Extracts from Arnold's reports as an inspector show the man of principle at work in particular circumstances and relating what he sees to what he would wish to see. The
Robert Willis' monumental architectural history of the University of Cambridge, first published in 1886 in a revised and extended edition by his nephew J. W. Clark, was hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man.' Although Willis and Clark has always been recognised by architectural historians as one of the greatest studies of the buildings of a single historic city, its wider importance and status are also being recognised by those interested generally in the conservation of buildings and in the historic development of architectural style and taste. Its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age. The first three volumes were reprinted with an introduction by Professor David Watkin in 1988, but that hardback e
Robert Willis' monumental architectural history of the University of Cambridge, first published in 1886 in a revised and extended edition by his nephew J. W. Clark, was hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man.' These fully illustrated volumes are here reprinted in their entirety, with a modern introduction by Professor David Watkin. Although Willis and Clark has always been recognised by those interested generally in the conservation of buildings and in the historic development of architectural style and taste, its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age.
Robert Willis' monumental architectural history of the University of Cambridge, first published in 1886 in a revised and extended edition by his nephew J. W. Clark, was hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man.' These fully illustrated volumes are here reprinted in their entirety, with a modern introduction by Professor David Watkin. Although Willis and Clark has always been recognised by those interested generally in the conservation of buildings and in the historic development of architectural style and taste, its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age.
Robert Willis' monumental architectural history of the University of Cambridge, first published in 1886 in a revised and extended edition by his nephew J. W. Clark, was hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man.' These fully illustrated volumes are here reprinted in their entirety, with a modern introduction by Professor David Watkin. Although Willis and Clark has always been recognised by those interested generally in the conservation of buildings and in the historic development of architectural style and taste, its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age.
Robert Willis' monumental architectural history of the University of Cambridge, first published in 1886 in a revised and extended edition by his nephew J. W. Clark, was hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man.' These fully illustrated volumes are here reprinted in their entirety, with a modern introduction by Professor David Watkin. Although Willis and Clark has always been recognised by those interested generally in the conservation of buildings and in the historic development of architectural style and taste, its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age.
Olivier Messiaen stands as one of the most influential composers of the twentieth century and among the foremost religious artists of any era. When he died in 1992, the prevailing image was of a deeply religious man whose only sources of inspiration were God and Nature, and of a composer whose music progressed along an entirely individual path, impervious to contemporaneous events and the whims both of his fellow artists and the critics. The Life of Messiaen paints a more nuanced picture of the man and the musician, peering behind Messiaen's public persona to examine the private difficulties and creative struggles that were the true backdrop to many of his greatest achievements. Based upon the latest research, including previously overlooked sources, this book provides an excellent introduction to Messiaen's life and work, presenting a fascinating new perspective of a man whose story is more remarkable than the myths surrounding it.
Now in paperback, an engaging and eclectic collection of essays from "the best-known living historian in the world" (The Times, London). Uncommon People collects twenty-six essays by Eric Hobsbawm, "one of the truly great synthesizers of the last few centuries of European history" (Philadelphia Inquirer). It brings back into print his classic works on labor history, working people, and social protest, pairing them with more recent, previously unpublished pieces on everything from the villainy of Roy Cohn to the genius of Count Basie, Duke Ellington, and Billie Holliday. A true Renaissance man, Hobsbawm explores topics from Mario Puzo and the MaAOa to Tom Paine and the radical tradition. Highlighting Hobsbawm's passionate concern for the lives and struggles of ordinary men and women, Uncommon People offers both an exciting introduction for the uninitiated as well as a broad-ranging retrospective of the work of this "erudite and influential historian" (Los Angeles Times).
The introduction gives an overview of Hitchcock's long career, with special attention to the varied influences on his work; themes that run through many of his films, from the 'transference of guilt', to the connection between knowledge and danger; the overlooked importance of his presence within his films, including his famous cameo appearances and characters who represent him within the story; his fascination with performance and the ambiguities of illusion and reality; the question of viewing him and his work through the auteur theory; and other issues. Also discussed is the relationship between Hitchcock as a serious, even tormented artist and Hitchcock as a magician with a weakness for cinematic practical jokes. Six chapters then provide in-depth examinations of key films: Blackmail, his first talkie; Shadow of a Doubt, one of his personal favourites; The Wrong Man, which questions the nature of guilt and innocence; Vertigo, arguably his most profound work; Psycho, his most savage
