Victorian novels remain enormously popular today: some continue to be made into films, while authors such as Charles Dickens and George Eliot are firmly established in the canon and taught at all leve
In the Victorian period, the British novel reached a wide readership and played a major role in the shaping of national and individual identity. As we come to understand the ways the novel contributed to public opinion on religion, gender, sexuality and race, we continue to be entertained and enlightened by the works of Dickens, George Eliot, Thackeray, Trollope and many others. This second edition of the Companion to the Victorian Novel has been updated fully, taking account of new research and critical methodologies. There are four new chapters and the others have been thoroughly updated, as has the guide to further reading. Designed to appeal to students, teachers and readers, these essays reflect the latest approaches to reading and understanding Victorian fiction.
The Companion to the Victorian Novel provides contextual and critical information about the entire range of British fiction published between 1837 and 1901. Provides contextual and critical informatio
The Companion to the Victorian Novel provides contextual and critical information about the entire range of British fiction published between 1837 and 1901. Provides contextual and critical informati
This volume presents fresh approaches to classic Victorian fiction from 1830-1900. Opens up for the reader the cultural world in which the Victorian novel was written and read. Crosses traditional dis
In The Cambridge Companion to the Victorian Novel, first published in 2000, a series of specially-commissioned essays examine the work of Charles Dickens, the Brontës, George Eliot and other canonical writers, as well as that of such writers as Olive Schreiner, Wilkie Collins and H. Rider Haggard, whose work has recently attracted new attention from scholars and students. The collection combines the literary study of the novel as a form with analysis of the material aspects of its readership and production, and a series of thematic and contextual perspectives that examine Victorian fiction in the light of social and cultural concerns relevant both to the period itself and to the direction of current literary and cultural studies. Contributors engage with topics such as industrial culture, religion and science and the broader issues of the politics of gender, sexuality and race. The Companion includes a chronology and a comprehensive guide to further reading.
In the Victorian period, the British novel reached a wide readership and played a major role in the shaping of national and individual identity. As we come to understand the ways the novel contributed to public opinion on religion, gender, sexuality and race, we continue to be entertained and enlightened by the works of Dickens, George Eliot, Thackeray, Trollope and many others. This second edition of the Companion to the Victorian Novel has been updated fully, taking account of new research and critical methodologies. There are four new chapters and the others have been thoroughly updated, as has the guide to further reading. Designed to appeal to students, teachers and readers, these essays reflect the latest approaches to reading and understanding Victorian fiction.
In the nineteenth century, richly-drawn social fiction became one of England’s major cultural exports. At the same time, a surprising companion came to stand alongside the novel as a key embodim
In the nineteenth century, richly-drawn social fiction became one of England’s major cultural exports. At the same time, a surprising companion came to stand alongside the novel as a key embodim
WINNER OF FOUR ACADEMY AWARDS, FIVE BAFTAS, and TWO GOLDEN GLOBES. STARRING EMMA STONE, FROM THE DIRECTOR OF THE FAVOURITEWinner of the Whitbread Novel Award and the Guardian Fiction PrizeA life without freedom to choose is not worth having.Godwin Baxter's scientific ambition to create the perfect companion is realised when he finds the drowned body of the beautiful Bella, who he brings back to life in a Frankenstein-esque feat. But his dream is thwarted by Dr. Archibald McCandless's jealous love for his creation . . .But what does Bella think?This story of true love and scientific daring whirls the reader from the private operating-theatres of late-Victorian Glasgow through aristocratic casinos, low-life Alexandria and a Parisian bordello, reaching an interrupted climax in a Scottish church.________________________'A magnificently brisk, funny, dirty, brainy book' London Review of Books'Visionary, ornate and outrageous' The Independent'Witty and delightfully written' New York Times'A
The sisters of STREET CHILD tell their story… A companion novel to bestselling story of orphan Jim Jarvis set in Victorian England. When Jim Jarvis is separated from his sisters, Lizzie and Emily, he
The Irish novelist Julia Kavanagh (1824–1877) published English Women of Letters in two volumes in 1862. The work, which formed a pair with French Women of Letters (1862), traces the contribution of English women writers, from the seventeenth century to the nineteenth, to the development and formation of the modern novel. Volume 1 contains biographical sketches of five female authors followed by evaluations of their most important works: Aphra Behn (1640–1689) and Oroonoko; Sarah Fielding (1710–1768) and David Simple; Madame D'Arblay (1752–1840), also known as Fanny Burney, and Evelina and Cecilia; Charlotte Smith (1749–1806) and Emmeline, Ethelinda and The Old Manor House; and Ann Radcliff (1764–1823), and four of her gothic novels. This important work brought to attention in the Victorian mind the importance of these writers. It has served for many generations of English literature students as a biographical companion to women writers.
Julia Kavanagh (1824–1877) published English Women of Letters in two volumes in 1862. The work, which formed a pair with French Women of Letters (1862), traces the contribution of English women writers, from the seventeenth century to the nineteenth, to the development of the modern novel. Volume 2 contains brief biographical sketches and evaluations of the major works of five important woman writers: Elizabeth Inchbald (1753–1821) and A Simple Story; Maria Edgeworth (1767–1849) and Castle Rackrent, Belinda and Tales of Fasionable Life; Jane Austen (1775–1817) and her six major novels; Amelia Opie (1769–1853) and Father and Daughter and Adeline Mowbray; and Lady Morgan (c.1776–1859) and The Wild Irish Girl and O'Donnel. This important work brought to attention in the Victorian mind the importance of these writers. It has served for many generations of English literature students as a biographical companion to women writers.
