This book reconsiders Flannery O'Connor, known primarily for her Catholicism. By recovering the historical circumstances in which Flannery O'Connor wrote her fiction, Jon Lance Bacon reveals an artist concerned with the cultural effects of the conflict that dominated American political discourse after 1945: the Cold War. O'Connor resisted the consensus that demanded uncritical celebration of American life - including consumerism. Bacon relates her fiction to political texts, sociological studies, advertisements, movies, television programmes, paintings, editorial cartoons and comic books. This interdisciplinary approach transforms O'Connor from a regional writer, with a religious message that transcends social and political questions, into a national figure, with a secure place in literary histories that address such questions.
This book reinterprets the rise of the natural and social sciences as sources of political authority in modern America. Andrew Jewett demonstrates the remarkable persistence of a belief that the scientific enterprise carried with it a set of ethical values capable of grounding a democratic culture - a political function widely assigned to religion. The book traces the shifting formulations of this belief from the creation of the research universities in the Civil War era to the early Cold War years. It examines hundreds of leading scholars who viewed science not merely as a source of technical knowledge, but also as a resource for fostering cultural change. This vision generated surprisingly nuanced portraits of science in the years before the military-industrial complex and has much to teach us today about the relationship between science and democracy.
Anti-Imperialist Modernism suggests that U.S. multi-ethnic cultural movements, located in political parties, small journals, labor unions, and struggles for racial liberation, helped construc
The 1930s to the 1950s in Italy witnessed large increases in film-going, radio-listening, and the sale of music and weekly magazines. The industries that made and sold commercial, cultural products we
The first major study of Alan Bush, this book provides new perspectives on twentieth-century music and communism. British communist, composer of politicised works, and friend of Soviet musicians, Bush proved to be 'a lightning rod' in the national musical culture. His radical vision for British music prompted serious reflections on aesthetics and the rights of artists to private political opinions, as well as influencing the development of state-sponsored music making in East Germany. Rejecting previous characterisations of Bush as political and musical Other, Joanna Bullivant traces his aesthetic project from its origins in the 1920s to its collapse in the 1970s, incorporating discussion of modernism, political song, music theory, opera, and Bush's response to the Soviet music crisis of 1948. Drawing on a wealth of archival sources, including recently released documents from MI5, this book constructs new perspectives on the 'cultural Cold War' through the lens of the individual artist
This book brings together cutting-edge scholarship from the United States and Europe to address political as well as cultural responses to both the arms race of the 1980s and the ascent of nuclear energy as a second, controversial dimension of the nuclear age. Diverse in its topics and disciplinary approaches, Nuclear Threats, Nuclear Fear and the Cold War of the 1980s makes a fundamental contribution to the emerging historiography of the 1980s as a whole. As of now, the era's nuclear tensions have been addressed by scholars mostly from the standpoint of security studies, focused on the geo-strategic deliberations of political elites and at the level of state policy. Yet nuclear anxieties, as the essays in this volume document, were so pervasive that they profoundly shaped the era's culture, its habits of mind, and its politics, far beyond the domain of policy.
This book brings together cutting-edge scholarship from the United States and Europe to address political as well as cultural responses to both the arms race of the 1980s and the ascent of nuclear energy as a second, controversial dimension of the nuclear age. Diverse in its topics and disciplinary approaches, Nuclear Threats, Nuclear Fear and the Cold War of the 1980s makes a fundamental contribution to the emerging historiography of the 1980s as a whole. As of now, the era's nuclear tensions have been addressed by scholars mostly from the standpoint of security studies, focused on the geo-strategic deliberations of political elites and at the level of state policy. Yet nuclear anxieties, as the essays in this volume document, were so pervasive that they profoundly shaped the era's culture, its habits of mind, and its politics, far beyond the domain of policy.
The anti-authoritarian revolt of the 1960s and 1970s was a watershed in the history of the Federal Republic of Germany. The rebellion of the so-called '68ers' - against cultural conformity and the ideological imperatives of the Cold War, against the American war in Vietnam, and in favor of a more open accounting for the crimes of the Nazi era - helped to inspire a dialogue on democratization with profound effects on German society. Timothy Scott Brown examines the unique synthesis of globalizing influences on West Germany to reveal how the presence of Third World students, imported pop culture from America and England, and the influence of new political doctrines worldwide all helped to precipitate the revolt. The book explains how the events in West Germany grew out of a new interplay of radical politics and popular culture, even as they drew on principles of direct-democracy, self-organization and self-determination, all still highly relevant in the present day.
The anti-authoritarian revolt of the 1960s and 1970s was a watershed in the history of the Federal Republic of Germany. The rebellion of the so-called '68ers' - against cultural conformity and the ideological imperatives of the Cold War, against the American war in Vietnam, and in favor of a more open accounting for the crimes of the Nazi era - helped to inspire a dialogue on democratization with profound effects on German society. Timothy Scott Brown examines the unique synthesis of globalizing influences on West Germany to reveal how the presence of Third World students, imported pop culture from America and England, and the influence of new political doctrines worldwide all helped to precipitate the revolt. The book explains how the events in West Germany grew out of a new interplay of radical politics and popular culture, even as they drew on principles of direct-democracy, self-organization and self-determination, all still highly relevant in the present day.
A memoir and cultural history the World’s End, a West London area once home to bohemian artists and punk rock and now an outpost of neoliberalism.Charlie Gere’s account of growing up in the World’s End area of West London during the Cold War combines local history, cultural history, memoir, and a strong sense of the apocalyptic. Once a rundown part of Chelsea at the wrong end of the King’s Road, the World’s End has long been a place for bohemian writers and artists, including Turner, Whistler, Beckett, Bacon, and Bacon’s muse Henrietta Moraes, all of whom evinced an appropriate apocalyptic sensibility. After World War II, in which the area suffered severe bombing, it became a center of the counterculture that emerged from what Jeff Nuttall called “Bomb Culture,” formed by the threat of nuclear annihilation. The famous boutique Granny Takes a Trip opened there in 1966, joined later on by Hung On You, Puss Weber’s Flying Dragon Tea Room, and the commune Gandalf’s Garden. The area also
Exploring the intersections of visual culture, design and politics in Beirut from the late 1950s to the mid-1970s, this compelling interdisciplinary study critically examines a global conjuncture in Lebanon's history, marked by anticolonial struggle and complicated by a Cold War order. Against a celebratory reminiscence of the 'golden years', Beirut's long 1960s is conceived of as a liminal juncture, an anxious time and space when the city held out promises at once politically radical and radically cosmopolitan. Zeina Maasri examines the transnational circuits that animated Arab modernist pursuits, shedding light on key cultural transformations that saw Beirut develop as a Mediterranean site of tourism and leisure, a nexus between modern art and pan-Arab publishing and, through the rise of the Palestinian Resistance, a node in revolutionary anti-imperialism. Drawing on uncharted archives of printed media this book expands the scope of historical analysis of the postcolonial Arab East.
Exploring the intersections of visual culture, design and politics in Beirut from the late 1950s to the mid-1970s, this compelling interdisciplinary study critically examines a global conjuncture in Lebanon's history, marked by anticolonial struggle and complicated by a Cold War order. Against a celebratory reminiscence of the 'golden years', Beirut's long 1960s is conceived of as a liminal juncture, an anxious time and space when the city held out promises at once politically radical and radically cosmopolitan. Zeina Maasri examines the transnational circuits that animated Arab modernist pursuits, shedding light on key cultural transformations that saw Beirut develop as a Mediterranean site of tourism and leisure, a nexus between modern art and pan-Arab publishing and, through the rise of the Palestinian Resistance, a node in revolutionary anti-imperialism. Drawing on uncharted archives of printed media this book expands the scope of historical analysis of the postcolonial Arab East.
