The nineteenth-century middle-class ideal of the married woman was of a chaste and diligent wife focused on being a loving mother, with few needs or rights of her own. The modern woman, by contrast,
The nineteenth-century middle-class ideal of the married woman was of a chaste and diligent wife focused on being a loving mother, with few needs or rights of her own. The modern woman, by contrast, w
Change the relationship you have into the one you want.Welcome to the Relationship Revolution! Making Marriage Simple is the accessible, essential road map to building a strong marriage in the modern
Change the relationship you have into the one you want.Welcome to the Relationship Revolution! Making Marriage Simple is the accessible, essential road map to building a strong marriage in the modern
This ambitious study sets out to discover what marriage meant in the daily lives of the nobles of the tenth, eleventh, and twelfth centuries. Through entertaining anecdotes, family dramas, and strikin
This is the first book to focus on the relationships which men formed with their wives in early modern England, making it an important contribution to a new understanding of English, social, family, a
All roads lead to London - and to the West End theatre. This book presents a new history of the beginnings of the modern world of London entertainment. Putting female-centred, gender-challenging managements and styles at the centre, it redraws the map of performance history in the Victorian capital of the world. Bratton argues for the importance in Victorian culture of venues like the little Strand Theatre and the Gallery of Illustration in Regent Street in the experience of mid-century London, and of plays drawn from the work of Charles Dickens as well as burlesques by the early writers of Punch. Discovering a much more dynamic and often woman-led entertainment industry at the heart of the British Empire, this book seeks a new understanding of the work of women including Eliza Vestris, Mary Ann Keeley and Marie Wilton in creating the template for a magical new theatre of music, feeling and spectacle.
This 1991 study deals with a specific set of institutions in nineteenth-century Athens. Relying on matrimonial contracts, travellers' accounts, memoirs and popular literature, the authors show how distinctive forms of marriage, kinship and property transmission evolved in Athens in the nineteenth century. These forms then became a feature of wider Greek society which continued into the twentieth century. Greece was the first post-colonial modern nation state in Europe whose national identity was created largely by peasants who had migrated to the city. As Athenian society became less agrarian, a new mercantile group superseded and incorporated previous elites and went on to dominate and control the new resources of the nation state. Such groups developed their own, more mobile, systems of property transmission, mostly in response to external pressures of a political and economic character. This is a persuasive piece of detective work which has advanced our knowledge of modern Greece. I
This 1991 study deals with a specific set of institutions in nineteenth-century Athens. Relying on matrimonial contracts, travellers' accounts, memoirs and popular literature, the authors show how distinctive forms of marriage, kinship and property transmission evolved in Athens in the nineteenth century. These forms then became a feature of wider Greek society which continued into the twentieth century. Greece was the first post-colonial modern nation state in Europe whose national identity was created largely by peasants who had migrated to the city. As Athenian society became less agrarian, a new mercantile group superseded and incorporated previous elites and went on to dominate and control the new resources of the nation state. Such groups developed their own, more mobile, systems of property transmission, mostly in response to external pressures of a political and economic character. This is a persuasive piece of detective work which has advanced our knowledge of modern Greece. I
Marriage and Land Law in Shakespeare and Middletonexamines the dynamics of early modern marriage-making, a time-honored practice that was evolving, often surreptitiously, from patriarchal control base
For British aristocratic women from the beginning of the Tudor era to the end of the First World War, there was nothing more important than making a suitable marriage to a groom of high rank. Failure
Contrary to previously-held views, this book argues that a unique late marriage pattern explains the continuing puzzle of why Western Europe was the site of changes that gave birth to the modern world
In writing and then rewriting autobiographical remembrances recalling three decades of marriage and ensuing years of widowhood, Elizabeth Freke strikingly redefines the relationships among self, family, and patriarchy characteristic of early modern women's autobiography. Suffering and sacrifice dominate an extensive ledger of disappointment and bitterness that reveals over time the complex emotions of a Norfolk gentry woman seeking significance and even vindication in her hardships and frustrations. The infirm woman who eventually found herself utterly alone remained to the end a contentious, melodramatic, yet formidable figure - a strong-willed, even sympathetic person intent upon asserting herself against what she perceived as familial neglect and legal abuse. By making available both versions of the remembrances in their entirety, this new, multiple-text edition clarifies the refashioning inherent in each stage of writing and rewriting, recovering with unusual immediacy Freke's lat
Poor women do not fit easily into the household in Shakespeare. They shift in and out of marriages, households, and employments, carrying messages, tallying bills, and making things happen; never the main character but always evoking the ever-present problem of female poverty in early modern England. Like the illegal farthings that carried their likenesses, poor women both did and did not fit into the household and marriage market. They were both essential to and excluded from the economy. They are both present and absent on the early modern stage. In the drama, they circulate between plots, essential because they are so mobile, but largely unnoticed because of their mobility. These female characters represent an exploration of gender and economic roles at the bottom, as England shifted from feudalism to empire in the span of Shakespeare's lifetime. We find their dramas played out in the plays of Shakespeare and his contemporaries.
Early modern England's system of patrilineal inheritance, in which the eldest son inherited his father's estate and title, was one of the most significant forces affecting social order in the period. Demonstrating that early modern theatre played a unique and vital role in shaping how inheritance was understood, Michelle M. Dowd explores some of the common contingencies that troubled this system: marriage and remarriage, misbehaving male heirs, and families with only daughters. Shakespearean drama helped question and reimagine inheritance practices, making room for new formulations of gendered authority, family structure, and wealth transfer. Through close readings of canonical and non-canonical plays by Shakespeare, Webster, Jonson, and others, Dowd pays particular attention to the significance of space in early modern inheritance and the historical relationship between dramatic form and the patrilineal economy. Her book will interest researchers and students of early modern drama, Sh
Poor women do not fit easily into the household in Shakespeare. They shift in and out of marriages, households, and employments, carrying messages, tallying bills, and making things happen; never the main character but always evoking the ever-present problem of female poverty in early modern England. Like the illegal farthings that carried their likenesses, poor women both did and did not fit into the household and marriage market. They were both essential to and excluded from the economy. They are both present and absent on the early modern stage. In the drama, they circulate between plots, essential because they are so mobile, but largely unnoticed because of their mobility. These female characters represent an exploration of gender and economic roles at the bottom, as England shifted from feudalism to empire in the span of Shakespeare's lifetime. We find their dramas played out in the plays of Shakespeare and his contemporaries.
