The vast and varied history of DC vs. Marvel returns to print for the first time in decades in one massive volume collecting the universe-bending crossovers between the greatest superheroes in pop culture!Superman vs. Spider-Man? Batman vs. Captain America? The X-Men meeting the Teen Titans?These unlikely encounters between the iconic superheroes of DC and Marvel have dominated theoretical fan conversations across comic book shops, message boards, and everywhere in between for years—and in rare but memorable instances, have been made reality through special comics stories co-presented by the two publishers, blurring the lines between the two fictional worlds!For years, these stories have been out of print and out of reach for most readers—but they’re making their return in DC Versus Marvel Omnibus, collecting everything from 1976’s Superman vs. The Amazing Spider-Man to 2000’s Batman/Daredevil!DC Versus Marvel Omnibus includes stories from some of comics’ most revered talents, includin
With the advent of new digital communication technologies, the end of print culture once again appears to be as inevitable to some recent commentators as it did to Marshall McLuhan. And just as print
With the advent of new digital communication technologies, the end of print culture once again appears to be as inevitable to some recent commentators as it did to Marshall McLuhan. And just as print
The Myth of Print Culture is a critique of bibliographical and editorial method, focusing on the disparity between levels of material evidence (unique and singular) and levels of text (abstract and re
Thomas (1896-1961) wrote his 1929 novel not in English, the language of the British colonizers of Nigeria, but in the lingua franca of the Yoruba cultural space. It was and continues to be enormously
Folz (1435/40-1513) was the first writer in Germany to print his own work, including his Meisterlieder, a genre that had never been published before, says Huey (German, U. of Louisiana-Lafayette). She
Edgar Allan Poe (1809 1849) has long occupied the position of literary outsider. Dismissed as unrepresentative of the main currents of antebellum culture, Poe commented incisively in fiction and nonfi
For socialists at the turn of the last century, reading was a radical act. This interdisciplinary study looks at how American socialists used literacy in the struggle against capitalism.
Despite the fact that, if only by number, small and peripheral cities played an important role in fifteenth and sixteenth-century European print culture, book history has mainly been dominated by mono
This book explores the literary culture of Britain's radical press from 1880 to 1910, a time that saw a flourishing of radical political activity as well as the emergence of a mass print industry. Whi
Ever since the threads of seventeenth-century natural philosophy began to coalesce into an understanding of the natural world, printed artifacts such as laboratory notebooks, research journals, coll
Essays explore interaction in early modern England between a technologically advanced culture of the printed book and a still powerful traditional culture of the spoken word, spectacle, and manuscript
Gregory (St. Francis Xavier U., Antigonish) suggests that Giorgio Vasari (1511-75) invented art history partly because the recent profusion of prints exposed him to a wide variety of artistic images a
With contributions by:Greg Barnhisel, John N. Duvall, Kristin Fujie, Sarah E. Gardner, Jaime Harker, Kristi Rowan Humphreys, Robert Jackson, Mary A. Knighton, Jennifer Nolan, Carl Rollyson, Tim A. Rya
Fourteen contributions are arranged under the broad themes of Burns's transatlantic concerns, New World print networks, reading Burns in the Americas, transatlantic cultural memory, and remediating Bu
