"The study of acting should not begin with an exploration of feeling, perception, imagination, memories, intention, personalization, self-identification... or even performance—but physical action."Mic
The second edition of this actor-training guide by Michael Lugering (theatre, U. of Nevada Las Vegas) stresses the integration of movement, breathing, and voice. Lugering understands Stanislavski as p
Along with directing for the Nevada Conservatory Theatre, Lugering works as a teacher of voice, movement, and acting at the U. of Nevada, Las Vegas. Here, he guides actors through a series of voice an
The Expressive Body looks at intentional and unintentional movement and gesture as they inform characterization, and how those factors can be used by the actor to enhance performance.
Rory Lewis is one of the most sought after portrait photographers working today and his distinctive style has seen his work published internationally & acquired by the National Portrait Galler
Individual, partner, and group exercises to make any actor more expressive * Crucial acting tips based on the work of distinguished theorist Rudolf Laban * 65 original illustrations of anatomy and wa
In his graphic biography Nick Cave: Mercy on Me, Reinhard Kleist paints an expressive and enthralling portrait of the musician, novelist, poet, and actor. It is, according to Nick Cave himself, &ldquo
The Dramatic Text Workbook and Video explores the expressive potential of language and how you, as an actor, director or teacher, can develop the skills to release that potential in rehearsal and perf
The Dramatic Text Workbook and Video explores the expressive potential of language and how you, as an actor, director or teacher, can develop the skills to release that potential in rehearsal and perf
