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Delaere, Mark (1)
Esteban Buch (EDT)/ Igor Contreras Zubillaga (EDT)/ Manuel Deniz Silva (EDT) (1)
Garda, Michela,Facci, Serena (1)
Gianmario Borio (EDT) (1)
Patrizia Veroli (EDT)/ Gianfranco Vinay (EDT) (1)
Robert Adlington (EDT) (1)
;Borio, Gianmario (1)
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作者:Patrizia Veroli (EDT); Gianfranco Vinay (EDT)  出版社:Taylor & Francis  出版日:2017/11/16 裝訂:精裝
Music-Dance explores the identity of choreomusical work, its complex authorship and its modes of reception as well as the cognitive processes involved in the reception of dance performance. Scholars o
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作者:Robert Adlington (EDT)  出版社:Routledge  出版日:2019/04/22 裝訂:精裝
The new music theatre of the third quarter of the twentieth century presents a research field of great richness. In these years, music theatre became one of the main preoccupations for (especially) yo
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作者:Gianmario Borio (EDT)  出版社:Ashgate Pub Co  出版日:2015/12/28 裝訂:精裝
It is undeniable that technology has made a tangible impact on the nature of musical listening. The new media have changed our relationship with music in a myriad of ways, not least because the experi
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作者:Garda; Michela; Facci; Serena  出版社:PBKTYFRL  出版日:2021/03/02 裝訂:精裝
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The Mediations of Music:Critical Approaches after Adorno
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作者:Borio; Gianmario  出版社:PBKTYFRL  出版日:2024/05/27 裝訂:平裝
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定價:2599 元, 優惠價:9 2339
Noise as a Constructive Element in Music:Theoretical and Music-Analytical Perspectives
90折
作者:Delaere; Mark  出版社:PBKTYFRL  出版日:2024/05/27 裝訂:平裝
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定價:2599 元, 優惠價:9 2339
作者:Adlington; Robert; Buch; Esteban  出版社:PBKTYFRL  出版日:2020/08/31 裝訂:精裝
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出版社:PBKTYFRL  出版日:2020/05/18 裝訂:精裝
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Composing for the State:Music in Twentieth-Century Dictatorships
滿額折
作者:Buch; Esteban; Zubillaga; Igor Contreras; Deniz Silva; Manuel  出版社:PBKTYFRL  出版日:2019/02/07 裝訂:平裝
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定價:2639 元, 優惠價:1 2639
作者:Delaere; Mark  出版社:PBKTYFRL  出版日:2022/07/29 裝訂:精裝
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作者:Borio; Gianmario  出版社:PBKTYFRL  出版日:2022/07/21 裝訂:精裝
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作者:Esteban Buch (EDT); Igor Contreras Zubillaga (EDT); Manuel Deniz Silva (EDT)  出版社:Routledge UK  出版日:2016/01/27 裝訂:精裝
Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occa
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