The Jewish Kulturbund Theatre Company in Nazi Berlin
新譯明傳奇小說選(平)
油氣藏工程(簡體書)
我不是壞野狼
茶人三部曲(典藏版)(全3冊)(精)(簡體書)
Representing the Past ─ Essays in Performance Historiography
大學計算機基礎(簡體書)
Romeo and Juliet
Environmental Activism and the Urban Crisis ― Baltimore, St. Louis, Chicago
Toiletpaper Volume 2

TOP
4
0
紅利積點抵現金,消費購書更貼心
The Jewish Kulturbund Theatre Company in Nazi Berlin

The Jewish Kulturbund Theatre Company in Nazi Berlin

商品資訊

定價
:NT$ 2050 元
無庫存,下單後進貨(到貨天數約30-45天)
下單可得紅利積點:61 點
商品簡介
作者簡介

商品簡介

New laws enacted in the wake of Hitler’s ascent to power removed all Jews from their professional workplaces and banned Jewish artists from any collaboration with their fellow citizens. In the summer of 1933, Goebbels’s Prussian Theatre Commission approved an all-Jewish theatre as part of the Kulturbund Deutscher Juden, the Cultural Association of German Jewry. This network of Jewish cultural leagues and theatre ensembles across Germany coexisted with Nazi policies against Jews until the Gestapo dissolved the theatre in 1941. Revealing the complex interplay between history and human lives under conditions of duress, Rebecca Rovit focuses on the eight-year odyssey of the Berlin Kulturbund and its theatre.
Rovit draws upon a wealth of primary documents—correspondence between the theatre and the Reich Ministry of Propaganda and Enlightenment, actual playscripts and rolebooks, production reviews and photographs, letters and memoirs, and interviews with artists who survived the war—to show how the increasingly restrictive German reality forced Jewish artists to define and redefine their identity and culture under wrenching conditions of censorship, compromise, danger, and deception. Integrating play analysis with cultural history, she considers first the playscript itself, then the playscript adapted by the Kulturbund, then the best reconstruction possible of the actual performance against its backdrop of the Third Reich. Proceeding chronologically through the playing seasons, she focuses on the actual repertoire performed (and forbidden) over the life of the Berlin Kulturbund theatre, covering the theatre’s beginnings and its first two playing seasons, then on the playing seasons that led to the Reichskristallnacht, and finally on the ways that emigration and increased censorship affected the wartime theatre’s final days.

The Kulturbund’s directors were repeatedly caught between escalating demands from their Nazi overseers and from their own Jewish constituents. By examining why and how an all-Jewish repertory theatre could coexist with the Nazi regime, Rovit raises broader questions about the nature of art in an environment of coercion and isolation, artistic integrity and adaptability, and community and identity.

作者簡介

Rebecca Rovit is an assistant professor of theatre at the University of Kansas. Author of numerous articles on theatre and performance in such journals as American Theatre, PAJ, TDR, Theatre Survey, Contemporary Theatre Review, The Journal of Holocaust and Genocide Studies, and The Enzyklopadie judischer Geschichte und Kultur, edited by Dan Diner, she is the coeditor of Theatrical Performance during the Holocaust: Texts, Documents, Memoirs, a finalist for the National Jewish Book Award.

購物須知

外文書商品之書封,為出版社提供之樣本。實際出貨商品,以出版社所提供之現有版本為主。部份書籍,因出版社供應狀況特殊,匯率將依實際狀況做調整。

無庫存之商品,在您完成訂單程序之後,將以空運的方式為你下單調貨。為了縮短等待的時間,建議您將外文書與其他商品分開下單,以獲得最快的取貨速度,平均調貨時間為1~2個月。

為了保護您的權益,「三民網路書店」提供會員七日商品鑑賞期(收到商品為起始日)。

若要辦理退貨,請在商品鑑賞期內寄回,且商品必須是全新狀態與完整包裝(商品、附件、發票、隨貨贈品等)否則恕不接受退貨。

定價:100 2050
無庫存,下單後進貨
(到貨天數約30-45天)

暢銷榜

客服中心

收藏

會員專區