The Cultural Career of Coolness ─ Discourses and Practices of Affect Control in European Antiquity, the United States, and Japan
商品資訊
ISBN13：9780739173169
出版社：Rowman & Littlefield Pub Inc
作者：Ulla Haselstein (EDT); Irmela Hijiya-Kirschnereit (EDT); Catrin Gersdorf (EDT); Elena Giannoulis (EDT); Joel Dinerstein (CON)
出版日：2013/10/10
裝訂／頁數：精裝／320頁
規格：24.1cm*16.5cm*2.5cm (高/寬/厚)
定價
：NT$ 9000 元若需訂購本書，請電洽客服 02-25006600[分機130、131]。
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Today, coolness is a term most often used in advertising trendy commodities, or, more generally, in promoting urban lifestyles. The Cultural Career of Coolness explores the history of the term as a metaphor for affect control and aesthetic detachment, charts various cultural practices of coolness in the US and Japan, and links them to the rationalization of intimate relations and an incorporation of disaffection in modernity.
作者簡介
Catrin Gersdorf is professor and chair of American Studies at the University of Wuerzburg, Germany. From 2009 to 2012 she was a member of the research group on “Coolness” at the research cluster “Languages of Emotion,” Freie Universitat Berlin. The author of The Poetics and Politics of the Desert: Landscape and the Construction of America (2009), she has published several articles on nineteenth and twentieth-century US-American literature and culture.
Elena Giannoulis is advanced research fellow at the Institute of East Asian Studies at Freie Universitat Berlin. From 2010 to 2012 she was a researcher in the “Languages of Emotion” Cluster at Freie Universitaet Berlin. She currently works on her project Emotion Management in Japanese Literature and Culture since the 1980s. Publications: Giannoulis, Elena. Blut als Tinte: Wirkungs- und Funktionsmechanismen zeitgenossischer shishosetsu [Blood as Ink: Mechanisms of effects and functions of contemporary shishosetsu]. (2010).
Ulla Haselstein is professor of American Literature (chair) at the John F. Kennedy Institute and the director of the Graduate School of North American Studies, Freie Universitaet Berlin. Her book publications include Entziffernde Hermeneutik (1991); Die Gabe der Zivilisation (2000); Iconographies of Power: The Politics and Poetics of Visual Representation (2003, co-edited with Berndt Ostendorf and Peter Schneck), Cultural Transactions: 50 Years of American Studies in Germany (2005, co-edited with Berndt Ostendorf), and The Pathos of Authenticity. American Literary Imaginations of the Real (2010, co-edited with Andrew Gross, MaryAnn Snyder-Korber).
Irmela Hijiya-Kirschnereit is professor of Japanology (Chair) and director of the Friedrich Schlegel Graduate School of Literary Studies at Freie Universitaet. She was awarded the Leibniz Prize 1992. Series Editor: 1990–2000 – Japanische Bibliothek (Japanese Library), 34 volumes; 1994–present – Iaponia Insula (Studies on Japanese Culture and Society), 27 volumes. Her monographs include: Rituals of Self-Revelation: Shishosetsu as Literary Genre and Socio-Cultural Phenomenon. Cambridge, MA. 1996 (German version 1981, expanded ed. 2005, Japanese version 1992); ed.: Canon and Identity: Japanese Modernization Reconsidered: Trans-Cultural Perspectives. (2000).
Elena Giannoulis is advanced research fellow at the Institute of East Asian Studies at Freie Universitat Berlin. From 2010 to 2012 she was a researcher in the “Languages of Emotion” Cluster at Freie Universitaet Berlin. She currently works on her project Emotion Management in Japanese Literature and Culture since the 1980s. Publications: Giannoulis, Elena. Blut als Tinte: Wirkungs- und Funktionsmechanismen zeitgenossischer shishosetsu [Blood as Ink: Mechanisms of effects and functions of contemporary shishosetsu]. (2010).
Ulla Haselstein is professor of American Literature (chair) at the John F. Kennedy Institute and the director of the Graduate School of North American Studies, Freie Universitaet Berlin. Her book publications include Entziffernde Hermeneutik (1991); Die Gabe der Zivilisation (2000); Iconographies of Power: The Politics and Poetics of Visual Representation (2003, co-edited with Berndt Ostendorf and Peter Schneck), Cultural Transactions: 50 Years of American Studies in Germany (2005, co-edited with Berndt Ostendorf), and The Pathos of Authenticity. American Literary Imaginations of the Real (2010, co-edited with Andrew Gross, MaryAnn Snyder-Korber).
Irmela Hijiya-Kirschnereit is professor of Japanology (Chair) and director of the Friedrich Schlegel Graduate School of Literary Studies at Freie Universitaet. She was awarded the Leibniz Prize 1992. Series Editor: 1990–2000 – Japanische Bibliothek (Japanese Library), 34 volumes; 1994–present – Iaponia Insula (Studies on Japanese Culture and Society), 27 volumes. Her monographs include: Rituals of Self-Revelation: Shishosetsu as Literary Genre and Socio-Cultural Phenomenon. Cambridge, MA. 1996 (German version 1981, expanded ed. 2005, Japanese version 1992); ed.: Canon and Identity: Japanese Modernization Reconsidered: Trans-Cultural Perspectives. (2000).
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