攝影之聲Voices of photography
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ISBN13:9772224127009
出版社:影言社
出版日:2025/01/08
裝訂:平裝
刊別:單期季刊
規格:25.5cm*19cm*1cm (高/寬/厚)
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※請確定您所選購之期刊正確無誤,本期為2025年 NO.36 ※
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※本期號上架時間至2025/04/08※
福音視覺考──傳教士影像專題
本期我們掘考台灣與東亞視覺經驗裡,難以忽略的、由西方傳教士生產
的巨量影像,剖析其產製歷程與文化政治,以及對現代身體與感知帶來
的全面影響。
在專題中,陳偉智探究自十九世紀中葉以來西方傳教士在台灣的傳教網
絡,從馬雅各、甘為霖、巴克禮到馬偕牧師等,如何間接或直接參與了台
灣早期的攝影活動,並令宣教事工的見證影像,化為今日廣泛複製傳佈
的台灣歷史圖景。賀威瑋考察在國共戰爭之後被迫離開中國的美籍傳教
士過往攝製的大量照片、膠捲、相本與圖冊,從查禁到重塑,顯影二十世
紀初傳教士視覺現代性在東亞的一段曲折軌跡。吳易叡尋訪基督教英國
醫療傳教士蘭大弼家族自日本殖民時期以來的台灣照片收藏,論析早年
傳教士影像對異文化與他者的再現和流通,以及照片與圖像在鞏固醫療
傳教經典敘事中的關鍵角色,揭示醫學、宗教與影像間複雜的共構關係。
黃乃琦探討天主教耶穌會士在台灣成立的「光啟社」,如何在二十世紀中
期引進美國傳播技術,塑造台灣廣播電視節目、動畫與攝製的初期發展。
尋跡解密檔案,李威儀追索傅良圃神父拍攝於戰後台灣、在1959年出版
的攝影專輯《The Face of T aiwan》(台灣寫真)以及隨後他在台北美國新
聞處舉行的大型攝影個展,何以在高壓管制的戒嚴時期得以發生,並成
為冷戰年代裡傳教士攝影的代表之作。
為擴展影像與歷史的更多思索,我們特別專訪甫以紀錄片《由島至島》獲
頒金馬獎的廖克發導演——該片以結合眾多影像資料與不懈追問,直面
二戰末期台灣人參與日軍在東南亞施暴的暗面記憶而發人深省,本期訪
談帶來更多對於「歷史」與「正義」的深切反思。而就在眼前,面對戰後仍
在持續的帝國暴力史,阿莉耶拉.阿依莎.阿祖萊(Ariella Aïsha Azoulay)
的專文細細分析了在歐美強權認可之下、自1948年起以色列政權對巴勒
斯坦人所展開的驅逐,以及將他們呈現為難民的影像建置效應,如何系
統性地擴大為此刻正在加薩執行的大屠殺,而亟需國際社會正視,並立
即制止此一種族滅絕罪行。
此外,高重黎闡述其以帶著戰爭創傷印記的電影——雷奈《廣島之戀》(
1959)之不完整底片拷貝,所重新編織為十二台幻燈機流轉映現逾九百
張靜幀交錯運動的裝置作品《十六小時的情事》,巧妙拆解影音政治的時
空構造。本期亦揭載陳傳興「個人精神史」三部曲系列的彩色終曲,探訪
他在上世紀末的視覺行旅與暗房實驗中,對「光」與「色」的本質思辨,以
及難得一見對其青年時期攝影經歷的回憶。
同時,我們也與近期以攝影書作品獲頒國際獎項的年輕藝術家林詩硯、
蔡定邦與李俐亞進行攝影製書的創作對話,
一探書頁編輯的內蘊氣場。
而為紀念長期關注民藝、實踐田野調查攝影的先行者黃永松(1943-2024
),特別收錄其早年攝影作品,以及奚淞追憶他們共同的文藝青春和《漢
聲》報導攝影工作之記述。最後,本刊在此致敬遠行的藝術家張照堂(
1943-2024),現正籌備專號,隨著新年開始再接續與大家分享。編寫路途
漫漫迢迢,感謝讀者一直以來的支持與耐心等候。
This issue of VOP delves into the vast visual archive produced by
Western missionaries. A body of work that is impossible to
overlook due to its sheer volume in re-examining the visual
experiences of T aiwan and East Asia. We analyze the production
process and cultural politics behind the images, as well as their
profound impact on the modernization of the body and perception.
We first take a look at Chen Wei-Chi's exploration of how Western
missionaries who have come to T aiwan since the mid-19th
century, including James Maxwell, William Campbell, Thomas
Barclay and George Leslie Mackay, had directly or indirectly
participated in early photography activities in T aiwan, turning the
photographic testimonies of missionary work into an image record
of T aiwan's history that is being widely reproduced and
disseminated today. Joseph W. Ho examines the large number of
photos, films, albums and illustrations left behind by the American
missionaries who were forced to leave China after the Chinese
Civil War to reveal the tortuous trajectory of modern visuality of
the missionaries in East Asia in the early 20th century which were
marked by censorship and reconstruction. Harry Yi-Jui Wu goes
through British medical missionary Dr. David Landsborough IV's
family photo collection from the Japanese colonial period in
T aiwan, and discusses the reproduction and dissemination of
early missionary images to the others, and how photographs and
1
images were key to consolidating the classic narrative of medical
missionary work, revealing the complex relationship between
medicine, religion and imagery. Hwang Nae-Chyi explores how
the Kuangch'i Program Service set up by Catholic Jesuits
introduced communication technology from the US into T aiwan in
the mid 20th century, shaping the early development of the
country's television, animation and filming industries. With
declassified files, Lee Wei-I follows the traces of Father Frederic
J. Foley through his photographs taken in post-war T aiwan that
were published in The Face of Taiwan in 1959 and how he
managed to pull off a large-scale solo exhibition that he
subsequently held at the US Information Service office in T aipei
during the highly oppressive era of martial law which became
representative of missionary photography during the years of the
Cold War.
T o broaden our thinking on imagery and history, we conducted a
special interview with director Lau Kek-Huat, whose film From
Island to Island just won the Best Documentary Feature at the
Golden Horse Awards. By combining extensive image archives
and relentless questioning, the film confronts the dark memories
of T aiwanese people participating in the Japanese military's
atrocities committed in Southeast Asia during the final days of
World War II. The interview will bring more thought-provoking
reflections on “history” and “justice”. As we face the history of
imperial violence that continues even till this day, Ariella Aïsha
Azoulay's essay provides an in-depth analysis of the
displacement of Palestinians by the Israeli regime since 1948,
endorsed by Western powers, and the systematic portrayal of
Palestinians as refugees through imagery. She argues that this
has escalated into the genocide that is happening now in Gaza,
calling for global attention and immediate action to stop this
heinous act.
In addition, Kao Chung-Li explains how he gives a new spin to
French director Alain Resnais' Hiroshima mon amour (1959), a
work that bears the mark of trauma from war, turning the
incomplete film prints into an installation piece of the same title,
featuring twelve projectors that are constantly cycling through 900
interwoven still frames, cleverly deconstructing the spatiotemporal
structures of audiovisual politics. This issue also features the
colorful finale of Cheng T sun-Shing's trilogy series “A Personal
Passage” that delves into his profound reflections on light and
colors from his visual explorations in the late 20th century
including darkroom experiments, as well as rare recollections of
his experiences with photography from his younger days.
2
At the same time, we also engaged in creative dialogues with
young artists, Lin Shihyen, T sai Ting-Bang and Lee Liya, who
recently received international accolades for their photobooks on
exploring the subtle dynamics of photobook editing. We also
included the early photographic works of late Huang Yung-Sung
(1943-2024) to commemorate his efforts as a pioneer in field
research photography and as an advocate for folk arts, as well as
Shi Sung's reminiscences of their shared artistic youth and their
photographic documentary work on the Echo Magazine. Finally,
we pay tribute to artist Chang Chao-T ang (1943-2024), who had
embarked on his final journey with a special issue that will be
ready in the new year. The process of putting everything together
is a long one — here's a special thanks to all our readers for your
continued support and patience.
序
《攝影之聲》長期關注亞洲的攝影發展歷程,重視亞際連結,集結國內外眾多學者、藝術家與文化工作者共同參與撰述,透過每期不同的主題視野,製作出豐富的專題與單元,收錄重要的創作文獻,同時亦以「影言社」為名出版相關叢書,是台灣少數專注於攝影與視覺文化論述領域的獨立出版單位,曾多次獲頒台灣出版界最高榮譽「金鼎獎」各類獎項。
Voices of Photography is an independent publication dedicated to image culture. Since its inception in 2011, VOP has been exploring the culture, history and philosophy of photography, and continually promoting imagery reading, critique, and research.
VOP has always focused on the development of photography in Asia and places special importance on inter-Asian connections. Through collaborative effort with scholars, artists and cultural workers locally and from all over the world, VOP has been gathering important literature and research materials, presenting rich and varied features with a different theme every issue. Now engaging in the publication of written work and criticism through VOP BOOKS, VOP is one of the few independent publishers in Taiwan that focuses on photography and visual culture, earning many accolades at the Golden Tripod Awards, the highest honor in Taiwan’s publishing industry.
目次
Witness and Photos: Notes on the History of Missionary
Photography
in T aiwan in the late 19th Century
陳偉智 Chen Wei-Chi
潛像──美國傳教士在現代中國之視覺實踐的此生與轉生
Latent Images: Lives and Afterlives of
American Missionary Visual Practices in Modern China
賀威瑋 Joseph W. Ho
傳教士的凝視──蘭大弼醫師家族的台灣早期影像收藏
Missionary Gaze: A Collection of Early T aiwan Images
from Dr. David Landsborough IV's Family
吳易叡 Harry Yi-Jui Wu
傳播使徒──光啟社與台灣電視發展
Media Apostles: Jesuits' Kuangch'i Program Service
and the Development of the T aiwan TV Industry
黃乃琦 Hwang Nae-Chyi
冷戰散記──從傅良圃神父到《The Face of Taiwan》
Cold War Reflections: From Fr. Frederic J. Foley to The Face of
T aiwan
李威儀 Lee Wei-I
3
由島至島──訪廖克發
From Island to Island: An Interview with Lau Kek-Huat
李威儀 Lee Wei-I
看見種族滅絕
Seeing Genocide
阿莉耶拉.阿依莎.阿祖萊 Ariella Aïsha Azoulay
十六小時的情事
Hiroshima Mon Amour
高重黎 Kao Chung-Li
色──陳傳興
Color: Cheng T sun-Shing
色處云何──訪陳傳興
Color: The Eternal Question of Being
An Interview with Cheng T sun-Shing
李威儀 Lee Wei-I
影像與書的事情──攝影/製書的對話筆記
林詩硯 ⫹⫺ 蔡定邦 ⫹⫺ 李俐亞
Images and Books: Notes on Photobook-Making
Conversations with Lin Shihyen, T sai Ting-Bang and Lee Liya
紀念.永松──與《漢聲雜誌》發行人黃永松談報導攝影
In Memory of Yung-Sung:
Exploring Photojournalism with Huang Yung-Sung of Echo
Magazine
奚淞 Shi Sung
編輯後記
Epilogue
主題書展
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