A beautiful new range of make-your-own kits illustrated and designed by one of Britain’s rising stars in illustration. These craft sets include an apron with a mouse and elephant design, two bears in
Hamish Fulton emerged onto the late 1960s art scene as part of a generation of young British artists engaged with extending the possibilities of sculpture. Fulton describes himself as a "walking artis
This volume is published to accompany an exhibition at Petworth House to mark the restoration of the Carved Room where J.M.W. Turner's paintings will be reinstated in their original positions in the p
The Art Now programme at Tate Britain provides a vital platform for new practice in contemporary British art, giving exposure to emerging artists in a major national institution.This book surveys the
First originated in 1974, Somethings Etruscan marks a unique collaboration between sculptor Barry Flanagan (1941 – 2009) and the writer David Plante (b.1940). Featuring a new postscript from F
Essential visitor and tourist memento. Crammed with full colour photography of the building, its setting and development, along with highlights of the installations in the Turbine Hall. Completely up
Tate Modern is the world s most visited museum of modern and contemporary art, with its pioneering collection, ground-breaking international exhibitions, innovative commissions and inspiring events. S
The publication accompanying Rebecca Warren's first major UK solo exhibition in eight years opens the new Tate St Ives. A significant British artist, Warren's exuberant, roughly-worked sculptures and
‘I must admit the climate is most unusual: the number of wonderful effects I’ve seen in the two months or so that I’ve been looking incessantly at the Thames is unbelievable ’ – Claude Monet Exclusiv
Amedeo Modigliani (1884-1920) produced some of the most memorable images of the early twentieth century. Through experimentation and innovation, he developed an instantly recognisable style, respondin
Rachel Whiteread single-handedly expanded the parameters of contemporary sculpture with her casts of the outer and inner spaces of familiar objects, sometimes in quiet monochrome, sometimes in vivid j
This beautifully illustrated book presents a new account of one of the most distinctive, long-lasting and fascinating chapters of modern British art: how artists have used painting to record their per
