Part historical drama, part thriller, and part comedy, Tsui Hark’s Peking Opera Blues (1986) invites—if not demands—examinations from multiple perspectives. Tan See Kam rises to the challenge in this
Part historical drama, part thriller, and part comedy, Tsui Hark (徐克)’s Peking Opera Blues (“刀馬旦”) (1986) invites―if not demands―examinations from multiple perspectives. Tan See Kam rises to the chal
Hong Kong cinema exploded into world culture during the 1990s, driven by its linkage with Hollywood's dynamic new digital special effects technologies. This book provides essential historical backgrou