三民網路書店 / 搜尋結果

This book tells the compelling story of a Christian noblewoman named Tamta in the thirteenth century. Born to an Armenian family at the court of queen Tamar of Georgia, she was ransomed in marriage to nephews of Saladin after her father was captured during a siege. She was later raped and then married by the Khwarazmshah and held hostage by the Mongols, before being made an independent ruler under them in eastern Anatolia. Her tale stretches from the Mediterranean to Mongolia and reveals the extraordinary connections across continents and cultures that one woman could experience. Without a voice of her own, surviving monuments - monasteries and mosques, caravanserais and palaces - build up a picture of Tamta's world and the roles women played in it. The book explores how women's identities changed between different courts, with shifting languages, religions and cultures, and between their roles as daughters, wives, mothers and widows.

Inscriptions convey meaning not just by their contents but also by other means, such as choice of script, location, scale, spatial organisation, letterform, legibility and clarity. The essays in this book consider these visual qualities of inscriptions, ranging across the Mediterranean and the Near East from Spain to Iran and beyond, including Norman Sicily, Islamic North Africa, Byzantium, medieval Italy, Georgia and Armenia. While most essays focus on Late Antiquity and the Middle Ages, they also look back at Achaemenid Iran and forward to Mughal India. Topics discussed include real and pseudo-writing, multilingual inscriptions, graffiti, writing disguised as images and images disguised as words. From public texts set up on mountainsides or on church and madrasa walls to intimate craftsmen's signatures, barely visible on the undersides of precious objects, the inscriptions discussed in this volume reveal their meanings as textual and visual devices.

Examines the ways in which art was used to promote the power and rule of the Bagrat'ioni rulers of Georgia in Caucasia from the 9th through the early 13th century. Ignoring naturalistic portraits, Eas

This book tells the compelling story of a Christian noblewoman named Tamta in the thirteenth century. Born to an Armenian family at the court of queen Tamar of Georgia, she was ransomed in marriage to nephews of Saladin after her father was captured during a siege. She was later raped and then married by the Khwarazmshah and held hostage by the Mongols, before being made an independent ruler under them in eastern Anatolia. Her tale stretches from the Mediterranean to Mongolia and reveals the extraordinary connections across continents and cultures that one woman could experience. Without a voice of her own, surviving monuments - monasteries and mosques, caravanserais and palaces - build up a picture of Tamta's world and the roles women played in it. The book explores how women's identities changed between different courts, with shifting languages, religions and cultures, and between their roles as daughters, wives, mothers and widows.

The church of Hagia Sophia in Trebizond, built by the emperor Manuel I Grand Komnenos (1238-63) in the aftermath of the fall of Constantinople to the Fourth Crusade, is the finest surviving Byzantine

The eastern frontier of Byzantium and the interaction of the peoples that lived along it are the themes of this book. With a focus on the ninth to thirteenth centuries and dealing with both art histor

"The Authors have done a good job of conveying the nuts and bolts of the process and problem situations that can arise from political and social conditions."-Stephanie Brzuzy, Xavier University"The a

The essays collected in this book were delivered at the XLII Spring Symposium of Byzantine Studies, held in London in 2009 to accompany the exhibition Byzantium 330-1453, at the Royal Academy. The exh

The Needs Assessment KITThis kit is a set of 5 interrelated and sequenced books that take the reader through the needs assessment (NA) process. These volumes explain how to implement an assessment an