Eternal Transience, Enlightened Wisdom:Masterpieces of Buddhist Art contextualises thirtythree bronze statues and thangkas of deities and gurus in Tibetan Buddhism from Tibet, Nepal, Pakistan and Mongolia dating from the 6th–19th centuries.From an art historical perspective, these Himalayan masterpieces reflect an array of aesthetic and artistic traditions from neighbouring regions across the Indian subcontinent and Central Asia. The book provides a comprehensive analysis of the artworks’ iconography and material culture.As part of Buddhism’s eternal journey from India to the Himalayas, China and Japan, the religious icons and objects of daily religious practice remain a testament to the shifting cultures that have engaged with Buddhism over the millennia.Acknowledging such a state of transience highlights the enlightened wisdom of Tibetan Buddhism as portrayed through the various artworks.「如來一相：佛教藝術藏珍」展出藏傳佛教藝術品，包括銅像及唐卡。展品源自6至19世紀西藏、尼泊爾、巴基斯坦，甚至遠及蒙古。藝術史上，藏傳佛教藝術興於喜馬拉雅山脈一帶，承襲了印度次大陸及中亞地區的美
故宮是中國除西藏之外藏傳佛教藏品最豐富的國家博物館，《藏傳佛教造像》從故宮珍藏的上千件作品中遴選出西藏周邊地區、西藏本地及內地三類，260件最具代表性的金銅佛像作品，並附有“黃條”和佛龕題記。書中還論及藏傳佛教及其造像的傳播、故宮庪藏造像的來源及意義、清宮廷對造像的分類等，系統地反映出藏傳佛教的發展脈絡。Buddhist statues of Tibet in the Museum, as ill
