如來一相：佛教藝術藏珍

Eternal Transience, Enlightened Wisdom:Masterpieces of Buddhist Art contextualises thirtythree bronze statues and thangkas of deities and gurus in Tibetan Buddhism from Tibet, Nepal, Pakistan and Mongolia dating from the 6th–19th centuries.

From an art historical perspective, these Himalayan masterpieces reflect an array of aesthetic and artistic traditions from neighbouring regions across the Indian subcontinent and Central Asia. The book provides a comprehensive analysis of the artworks’ iconography and material culture.

As part of Buddhism’s eternal journey from India to the Himalayas, China and Japan, the religious icons and objects of daily religious practice remain a testament to the shifting cultures that have engaged with Buddhism over the millennia.
Acknowledging such a state of transience highlights the enlightened wisdom of Tibetan Buddhism as portrayed through the various artworks.

「如來一相：佛教藝術藏珍」展出藏傳佛教藝術品，包括銅像及唐卡。展品源自6至19世紀西藏、尼泊爾、巴基斯坦，甚至遠及蒙古。
藝術史上，藏傳佛教藝術興於喜馬拉雅山脈一帶，承襲了印度次大陸及中亞地區的美學和工藝傳統。
佛法從印度傳至喜馬拉雅山脈，藏傳教派漸成，及後傳至漢土、東洋。當中歷經王朝更迭，寺廟興衰，僧眾流徙，用以傳法的圖像、器物也隨時地流變。如是觀之，藏傳佛教藝術形相無定，菩提一相恆無相，可見緣起性空之佛理。

Luo Wenhua is a research fellow at the Palace Museum in Beijing and the director of the Research Center for Tibetan Buddhist Heritage.

羅文華，故宮博物院研究員、故宮藏傳佛教文物研究所所長，主要研究西藏美術史、清代宮廷史。