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Assembled with the intent of providing a resource for business students, this volume presents 100 products in as many essays. The profiles are uniform in length (about four pages) and emphasize the co

Versatility, innovation, inspiration—that’s what The Masters series offers crafters, with an engaging and up-to-date survey of the finest contemporary work by approximately 40 leading art

Masters of Innovation is the manual for creating a sustainable innovative organization—because innovation is not an art. It’s a capability. The past 15 years have brought a flood of how-to books about

Masters of Innovation is the manual for creating a sustainable innovative organization—because innovation is not an art. It’s a capability. The past 15 years have brought a flood of how-to books about

The context and environment of public services is becoming increasingly complex and the management of change and innovation is now a core task for the successful public manager. This text aims to prov

Designing Knowledge Organizations is based upon a graduate course taught at Stevens Institute of Technology to Masters and PhD students. The book focuses?on the design and management of?a K-organizati

Learn how to innovate from the masters, musicians. Musicians know how to stay ahead of the beat. As Chance the Rapper said 'Technology moves faster than business and music moves faster than technology

Originally published in 2005, this book examines Roman strategies for the appropriation of the Greek visual culture and argues that the scholarship on this topic, dominated by copy criticism (Kopienkritik), has not appreciated Roman values in the visual arts. Ellen Perry analyzes the Roman aesthetics that lie at the core of the visual conservatism - and innovation - in the art of that civilization. These attitudes help to explain the preponderance of copies, exact or free, after the sculpture of great Greek masters in Roman art. A knowledge of Roman values, Perry demonstrates, explains the entire range of visual appropriation in Roman art, which includes not only the phenomenon of copying, but also such manifestations as allusion, parody, and most importantly aemulatio, successful rivalry with one's models.

Originally published in 2005, this book examines Roman strategies for the appropriation of the Greek visual culture and argues that the scholarship on this topic, dominated by copy criticism (Kopienkritik), has not appreciated Roman values in the visual arts. Ellen Perry analyzes the Roman aesthetics that lie at the core of the visual conservatism - and innovation - in the art of that civilization. These attitudes help to explain the preponderance of copies, exact or free, after the sculpture of great Greek masters in Roman art. A knowledge of Roman values, Perry demonstrates, explains the entire range of visual appropriation in Roman art, which includes not only the phenomenon of copying, but also such manifestations as allusion, parody, and most importantly aemulatio, successful rivalry with one's models.