中文世界唯一德文直譯本二十世紀最重要的心理學家開創精神分析藝術理論之濫觴 佛洛伊德是二十世紀最具影響力的思想家,他開創的精神分析學派在精神疾病的診斷以及心理治療方面的建樹讓人嘆為觀止,其精神分析學說更是跨足到人類文明的所有領域,幾乎所有人文社會學科都感受到其難以抗拒的理論魅力。由於個人對於藝術以及文學的雅好,雖然謙稱自己是個外行人,佛洛伊德試著把他的理論應用在對於藝術作品和文學家的評論和分析上,挖掘創作者的心理世界,探索文學藝術和潛意識的關係,寫就了一篇篇讓人傳誦不輟的論文,從此建立了文學批評和藝術理論的精神分析方法學。 本書收錄了佛洛伊德的〈達文西的一則童年回憶〉(Eine Kindheitserinnerung des Leonardo da Vinci, 1910)、〈米開朗基羅的摩西像〉(Der Moses des Michelangelo, 1914)、〈杜思妥也夫斯基與弒父〉(Dostojewski und die Vatertötung, 1928)、〈《歌德自傳》裡的一段童年回憶〉(Eine Kindheitserinnerung aus »Dichtung und Wahrheit«, 1917)以及〈作家與幻想〉(Der Dichter und das Phantasieren, 1908),俾使讀者透過這部論文集一窺佛洛伊德的藝術和文學理論的梗概。
A NEW YORK TIMES NOTABLE BOOK“Part love story, part history, this novel is a tour de force [told] in language that soars and sears.”—More? St. Petersburg, 1917. After Rasputin’s body is pulled from th
Like many others who have retold the tale of the juggler, the American children’s book author and illustrator Barbara Cooney (1917–2000) dropped clues about her sources of inspiration. In the foreword to the first edition of 1961, she reported having been exposed to the story first on the radio in 1945. She knew that the roots of the story stretch back seven hundred years to a poem from France—her title page describes it as “an Old French legend.” When researching her project, Cooney journeyed to the Parisian library that holds the thirteenth-century manuscript with the best text and the sole illumination extant from the Middle Ages. Among other manifestations of the narrative that caught her attention, Cooney singled out the opera of French composer Jules Massenet, “The Juggler of Notre Dame,” and the short story of 1890 by Anatole France. From France’s retelling of the medieval poem, the American book artist took for her protagonist both the name Barnaby and the profession of juggler
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