Nothing Ventured heralds the start of a brand new series in the style of Jeffrey Archer’s #1 New York Times bestselling Clifton Chronicles: introducing Detective William Warwick. But this is not a det
Nothing Ventured is the incredible and thrilling novel by the master storyteller and bestselling author of the Clifton Chronicles and Kane and Abel, Jeffrey Archer.This is not a detective story, this
This is not a detective story, this is a story about the making of a detective . . .William Warwick has always wanted to be a detective and decides that, rather than become a lawyer like his influenti
#1 NYT bestseller Archer launches a brilliant series – a Clifton Chronicles spinoff – about Detective Warwick. But this is not a detective story, this is a story about the making of a detective.Jeffre
In the new New York Times bestselling series, Jeffrey Archer introduces William Warwick: This is not a detective story, this is a story about a detective.Jeffrey Archer's Clifton Chronicles reinvigora
The Sunday Times No.1 BestsellerNothing Ventured is the incredible and thrilling novel by the master storyteller and bestselling author of the Clifton Chronicles and Kane and Abel, Jeffrey Archer. T
Against a backdrop of national unrest and suffering, can Ida Scott and her brother, Boyd, find the courage to face betrayal and heartbreak?1925. Attractive and strong-willed twenty-three-year-old Isla
Against a backdrop of national unrest and suffering, can Ida Scott and her brother, Boyd, find the courage to face betrayal and heartbreak?1925. Attractive and strong-willed twenty-three-year-old Isla
Against a backdrop of national unrest and suffering, can Ida Scott and her brother, Boyd, find the courage to face betrayal and heartbreak?1925. Attractive and strong-willed twenty-three-year-old Isla
One of the nation’s top art critics shows how six great artists made old age a time of triumph by producing the greatest work of their long careers―and, in some cases, changing the course of art history.Ordinarily, we think of young artists as the bomb throwers. Monet and Renoir were still in their twenties when they embarked on what would soon be called Impressionism, as were Picasso and Braque when they ventured into Cubism. But your sixties and the decades that follow can be no less liberating if they too bring the confidence to attempt new things. Young artists may experiment because they have nothing to lose; older ones because they have nothing to fear. With their legacies secure, they’re free to reinvent themselves…sometimes with revolutionary results.Titian’s late style offered a way for pigment itself―not just the things it depicted―to express feelings on the canvas, foreshadowing Rubens, Frans Hals, 19th-century Impressionists, and 20th-century Expressionists. Goya’s late wor