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A Cognitive Poetic Perspective on Mapping:Metaphor,Symbol and Allegory(電子書)
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A Cognitive Poetic Perspective on Mapping:Metaphor,Symbol and Allegory(電子書)

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《白鯨》是美國小說家赫爾曼·梅爾維爾的一篇長篇小說,被譽為美國文學史上第一部真正意義上的“偉大的美國小說”。小說描寫了亞哈船長執意追逐白鯨莫比·迪克復仇,卻最終自取滅亡的故事。本書從生態、社會政治和酷兒理論三個角度,對小說中的隱喻、象徵和諷喻的映照進行了研究,有機結合了讀者、文本和社會文化語境,為作品的意義建構提供了一種可以參照的範式,並通過隱喻的連貫性、象徵的系統性和諷喻的一致性等因素對閱讀的有效性進行評價。

作者簡介

朱瑞青 男,生于1977年12月,山東曲阜人,主要研究領域為文體學,語篇分析,英美文學等等,主要著作有《文體學概論》(與劉世生教授合著)。

目次

Chapter One Introduction
1.1 Moby-Dick: Interpretations never end
1.2 Allegory, symbol, metaphor and literary interpretation
1.3 Cognitive linguistics and metaphor, symbol and allegory
1.4 A new model for interpretation
1.5 Questions to answer
1.6 Methodology to apply
1.7 Significance of the study
1.8 Organization of the book
Chapter Two Metaphor, Symbol, Allegory and Moby-Dick
2.1 Introduction
2.2 Interpretation
2.3 Metaphor, symbol and allegory
2.3.1 Conceptual metaphor in literary discourse
2.3.2 Symbol and allegory in light of cognitive linguistics
2.3.3 The call for a new model for interpretations
2.4 Moby-Dick studies: Status quo
2.5 Summary
Chapter Three Mapping and Literary Interpretation
3.1 Introduction
3.2 Mapping
3.2.1 Mappings in cognitive linguistics
3.2.2 Comparison of Conceptual Metaphor Theory, Structure
Mapping Theory and Blending Theory
3.2.3 Mapping and metaphor, symbol and allegory
3.2.4 A parison of mappings in metaphor
symbol and allegory
3.3 Literary criticism
3.3.1 Literary criticism: From text to context
3.3.2 Cognitive linguistics and literary criticism
3.4 A model for literary interpretation of Moby-Dick
3.4.1 Metaphoric mapping
3.4.2 Symbolic mapping
3.4.3 Allegorical mapping
3.5 Summary
Chapter Four Anthropoeentricism or Ecocentrism: Eeocritieal
Reading
4.1 Introduction
4.2 Metaphoric mapping: Discourse level
4.2.1 Metaphoric mappings of human beings as target domain
4.2.2 Metaphoric mappings of nature as target domain
4.2.3 Traditional hebraic anthropocentrism or
ecological centrism
4.3 Symbolic mapping: From text to nature
4.3.1 Moby Dick: Symbol of nature
4.3.2 Ahab: Emblem of anthropocentrism
4.3.3 Ishmael: Nature's spokesperson
4.3.4 Fedallah: Fire worshipper
4.3.5 Elijah: Ecocritics' warning
4.3.6 Queequeg and his affinity to nature
4.3.7 Pequod: The other Ahab
4.3.8 The doubloon: Incentive of the pursuit
4.3.9 The coffin: Resurrection
4.3.10 Hearse: The future of anthropocentric science and
technology
4.3.11 Hat: Ahab and King Tarquin
4.4 Allegorical mapping: Ecocritical reading
4.5 Summary
Chapter Five Egalitarianism or Totalitarianism: Social Political
Reading
5.1 Introduction
5.2 Metaphoric mapping
5.2.1 The social version of the Great Chain of Being
5.2.2 The mapping of Social Chain of Being
5.2.3 Space as hierarchy
5.2.4 Ishmael and Queequeg: Marriage as race munication
5.3 Symbolic mapping
5.3.1 Pequod: Symbol of the America
5.3.2 Ahab the great dictator
5.3.3 Moby Dick: Stranger and otherness
5.3.4 Ishmael with an equal eye
5.3.5 Queequeg: A symbol of democracy
5.3.6 The first mate and his hesitation
5.3.7 Hypooners, the mainstream force
5.4 Allegorization: A social political reading
5.5 Summary
Chapter Six Friendship or Homoeroticism: Queer Theory Reading
6.1 Introduction
6.2 Metaphoric mappings
6.2.1 Ishmael and Queequeg marriage metaphors
6.2.2 Ishmael and Queequeg love metaphors
6.3 Symbolic mapping
6.3.1 Queequeg: Homoual pal
6.3.2 Moby Dick: Symbol of phallus
6.3.3 Ishmael: Homoerotic yearning
6.3.4 Ahab: Homophobia of the heteroual world
6.3.5 The sea: The male world
6.3.6 Homoeroticism of'squeezing
6.3.7 The tail: Unity of masculinity and femininity
6.3.8 Pequod: Paradise of male-specific world
6.4 Allegorization: A Queer Theory reading
6.5 Summary
Chapter Seven Conclusion
7.1 Major fndings
7.2 Limitations
7.3 Future studies
References
Acknowledgements
Appendix A: Mapping of Human beings and Nature
Appendix B: Social Political Mapping
Appendix C: Ishmael-Queequeg: Marriage Mapping

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