Where Are the People?How Could the People’s Bodies Voice Themselves in the Form ofTheatrical Aesthetics?At That Time, the Audience Really Stood Up.In this evening, theater practitioners initiated the conversation with physical action. They engage with contemporary issues through their unique performance styles. From a discursive context, they enter the scene of resistance and undertake the labor of performance. Their performance is not just the preface to a series of dialogues, but also a witness to thirty years of People’s Theater.“People’s theater” belongs to the people.It is the theater created by the people and speaks for the people as it has appeared in history in diverse forms.People theater in Inter-Asian Societies began to grow in a cross-region, which included Jakarta, Manila, Bangkok, Kuala Lumpur, Hong Kong, Tokyo, Busan, Maputo, Beijing, Shanghai, Hualien, Taichung, and Taipei. Through the writings and images written down by theatrical artists from these spaces, we can figu
Shakespeare, as well as the reading, translating, teaching, criticizing, performing, and adapting of Shakespeare, does not exist outside culture. Culture in its many varieties not only informs the Sha
From civil war to Japanese occupation and communist revolution to market transition, China has undergone and continues to experience enormous economic, political, and social change. In Remaking Famili
Flying Dragon of the Divine Land, he tells about his journey of becoming a healer, grand master and monk. This story is divided into two parts: 1--his life story that segues into becoming a grand mast
