In this collection by thirty-five students at Downtown High School in San Francisco, the young writers explore the themes of resistance and resilience through their original monologues and plays. Afte
It’s Slumby the sloth’s first day of school in the rainforest. Can he keep up with everyone and still be himself? An adorable Slumby poster is included!Everyone loves Slumby; he’s kind, he’s most alwa
It's Slumby the sloth's first day of school in the rainforest. Can he keep up with everyone and still be himself? An adorable Slumby poster is included!Everyone loves Slumby; he's kind, he's most always happy, and butterflies follow him everywhere. Slumby knows that the other students at school like him, except that he moves...so...very...slowly.When he is too slow to compete in the turtle race, or play boa rope, or play armadillo ball, what is he to do? It can be hard to be left out. Then again, when one of his classmates is in danger, Slumby might be the only one who can help.Acclaimed Italian duo author Chiara Carminati and illustrator Roberta Angaramo work together to create a sweet, heartfelt story about how people have different strengths.Backing the book jacket is a poster of Slumby.
You cannot see, smell or taste radon. But it still may be a problem in your home. When you breathe air containing radon, you increase your risk for respiratory issues. Radon has been classified as
You cannot see, smell, or taste radon. But it still may be a problem in your home. When you breathe air containing radon, you increase your risk of getting lung cancer. In fact, the Surgeon General
Henry is a lot of fun when he's not storming through the house, so Emma decides to teach him how to be still. By showing him how to sit, bow, and breathe, Emma is able to calm the hurricane within Hen
The frescoes of Peruzzi, Raphael and Sodoma still dazzle visitors to the Villa Farnesina, but they survive in a stripped-down environment bereft of its landscape, sealed so it cannot breathe. Turner takes you outside that box, restoring these canonical images to their original context, when each element joined in a productive conversation. He is the first to reconstruct the architect-painter Peruzzi's original, well-proportioned, well-appointed building and to re-visualize his lost façade decoration‒erotic scenes and mythological figures who make it come alive and soar upward. More comprehensively than any previous scholar, he reintegrates painting, sculpture, architecture, garden design, topographical prints and drawings, archaeological discoveries and literature from the brilliant circle around the patron Agostino Chigi, the powerful banker who 'loved all virtuosi' and commissioned his villa-palazzo from the best talents in multiple arts. It can now be understood as a Palace of Venus
